A review of Going Indigo by Sam North

Sam North also achieves the virtually impossible by treating the subject of auras, ghosts and fortune-telling seriously and intelligently. It could all too easily become a shallow ghost story or cliched horror novel. His colloquial, matter-of-fact style is something to do with the reason it isn’t, but it is more than that.

A review of The Antigone Poems by Marie Slaight and Terrence Tasker

Slaight’s poetry works perfectly with Terrence Tasker’s dark charcoal images. The pictures convey angry masks, faces, slightly abstract, timeless. The book was originally produced in the 1970s, and has been dedicated to Tasker, who passed away in 1992. The book itself is an exquisite artefact – something to keep and re-read. Though the poetry isn’t pleasant, it’s powerful, evocative and uncovers a universal vein of anguish that will resonate with all readers.

A Conversation with Stuart Rojstaczer

The author of The Mathematician’s Shiva talks about his inspirations, how he came to fiction writing from a background in science, about the appeal of stories about academic life, about the autobiographical elements of the book, about the balance between comedy and tragedy, his characters, history and memory, and lots more.

A review of Faber & Faber Poetry Diary 2015

The book is a nice, pocket-book friendly hardcover, with thick, high quality pages, and an elastic to mark the week. The book has a week to a view, with enough room to record (in small writing) activities and appointments for each day (though not enough to write a poem, should you be sufficiently inspired – you’ll need another notebook for that). Each week there is a new poem, starting with Simon Armitage’s “Poetry”, and finishing with Stevie Smith’s “Not Waving Drowning”. The diary also features full colour images of book covers and a Faber poetry chronology.

An interview with Jennifer N Martin

The author of Psoriasis—A Love Story talks about her book, her inspirations, her writing style, her writing mentors, what’s on her reading table, what she learned from writing her book, advice for other writers, her favourite quote, and lots more.

A review of Autoethnographic by Michael Brennan

Autoethnographic is a difficult read. Though the poems are deceptively prosaic, they don’t yield their messages easily, and are unsettlingly dark, disjointed, and at times, so self-referential that they feel like a chaotic nightmare. But once you let go of the desire for linearity and meaning and instead open up to the linguistic subtleties, to new modes of perception, and to the revelations which are decidedly non-linear, the work becomes quite special.

A review of Fractured Legacy by Charles B Neff

I found characters to be well fleshed, credible, some are not completely likeable, on the other hand. that is what we find in life in general. Situations and locales are dynamic, discourse is realistic, convincing and set down in satisfactory manner. Movement of the narrative grips the reader at the inception, clenches reader attentiveness with a powerful grasp from opening lines to the last paragraphs and leaves the reader with a sentiment of a saga full of twists and turns.