A review of Andrei Tarkovsky by Sean Martin

Andrei Tarkovsky An artist who set himself the task of capturing consciousness on the hoof, making tangible the fleeting quail of phenomenal experience, Tarkovsky made things hard for himself and harder still for all directors who would follow in his footsteps. Man, he set the bar high. Even Bergman, one of the true greats, acknowledges that he is without peer.

Interview with Paul Mitchell

The author of We.Are.Family talks about his new novel, about his need to write, about some of the key themes in his book (among other things, ghosts, angels and UFOs), on writing difficult scenes, his characters, the unusual structure of the book, on moving between genres, the two best pieces of writing advice he’s ever received, some of his favourite books, on living the writing life, and lots more.

A review of Nagasaki by Craig Collie

The atomic bomb, that infamous masterpiece of twenty-century technology created by the allies’ best brains trust and costing two billion dollars, was almost brought undone due to military maintenance malfunctions. Craig Collie has skilfully put together a splendid chronological record of mankind’s most successful killing implement and the combined consequences of a double dose of its destruction.

A review of Farewell to the Father by Tim Elliott

Mary Karr has said that every memoir is a survival story, triumphant just because the people are still breathing. Tim Elliott’s Farewell to the Father is a survival story with a capital S. Max Elliott was a larger-than-live character—full of laughter, a thrower of grand parties, letting Tim and his siblings grow pot in the backyard, walking around naked and performing mock-deaths in restaurants for the amusement of his family. But he also suffered terrible lows.

A review of Mick: A life of Randolph Stow by Suzanne Falkiner

This first full biography by Suzanne Falkiner of Julian Randolph Stow, known by those close to him as Mick, is thorough and engaging. I first encountered his novels at university twenty-five years ago, and was drawn to the mysterious Visitants, the subject of our study at the time, and later read The suburbs of hell, but it wasn’t until I first heard that this biography was being published that I read two more of his novels to remind myself of his depth and style.

A review of Prince: Purple Reign by Mick Wall

After reading this book, Prince remains enigmatic, and perhaps that’s part of the tribute. This is a man whose legacy was his music, an oeuvre that not only provided a platform that many of today’s most respected musicians have built their careers on, but one that continues to develop the more you listen to it. There’s so much more to listen to than simply the big hits, though those hits are far more complex than the instant pop accessibility of it would suggest.

A review of The Dead Man by Nora Gold

The novel will interest other writers because of its narrative features. Ms. Gold avoids murky stream-of-consciousness passages by presenting the story in the third person. Flashbacks are signalled by a shift from present tense to past. A writer-in-residence at the University of Toronto’s Ontario Institute for Studies in Education, and a prize-winning author, Ms. Gold knows her craft.

Rebirth of a Troubadour: At Least for Now by Benjamin Clementine

Benjamin Clementine is to be encouraged. Who knows what else he might do? “The decision is mine ‘cause the vision is mine,” he states in the composition “Adios,” claiming ambition, difficulty, mistakes, and possibility—ending with a ramble about angels who sing, falsetto and bass; and Clementine himself singing, returning to the song’s frantic refrain. “St. Clementine-on-Tea-and-Croissants” may be a fantasy—an interrogation, imagined or real, of an irresponsible parent, a questioning that moves beyond polite manners and social ritual.