Out from Calaboose is an ambitious work, rich with mythology, politics, ecology, and psychology. The book moves through darkness and light, trauma, loss, desire, pain, but also, and always, leaning towards freedom from these things. One gets the sense that this freedom lies almost entirely in the power of words – the poems themselves are the keys.
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We may not often be able to control the trajectory of our choices, but we do have the option to recognize them responsibly and honestly. Harél shows us we have an obligation to not glaze over those choices with false distortions that appease our fragile egos and illusions and compromise truth and reality. He examines places where our expectations and confidence become derailed.
In clear, often compelling prose, Stephanie Laterza’s debut novel, The Boulevard Trial, offers us a contemporary story of moral dilemmas, confused intentions and missed connections that frequently result in disappointing resolutions and, at times, even tragic consequences. The traumas of the novel’s characters bleed into their ongoing personal experiences like an unchecked, gaping wound.
Lucky Or Not, Here I Come is the debut novel of Gerry Orz, written when he was just fifteen years old. Immediately the reader can see that Orz is a storyteller who keeps his audience engaged and involved. These attributes also translate well into his ventures in filmmaking.
Alan Alda is an award-winning actor known for his portrayal of the iconic character Hawkeye Pierce on the popular television series M.A.S.H., and as host of the PBS series “Scientific American Frontiers,” as well as his many movie and Broadway roles. In this revealing interview, Alan focuses mostly on his new book If I Understood You, Would I Have This Look on My Face? but also explores the writing process, his reading habits, communication as a whole, the relationship between writing scripts, acting, and writing nonfiction, and much more.
Fitzmaurice wrote with the sensibility of a filmmaker. He blends past recollections, present conditions and future possibilities in a moving kaleidoscope of connectivity regarding one’s influences, hopes and realities that seems always to be present instead of distant and reflective.
The book is wonderfully informed by multiple metaphorical depictions of our inner and outer struggles. Young Marcus loses his mother, his only parent, and goes to live with his eccentric and spiritually bruised great Aunt Charlotte on a small island in South Carolina at the beginning of the summer. Aunt Charlotte has past wounds that haunt her, rendering her a reclusive but renowned local painter.
The title to his newest and third book, If I Understood You, Would I Have This Look on My Face? and its subtitle, “My Adventures in the Art and Science of Relating and Communicating” reflects an intellectual sensibility conveyed clearly and directly. It underscores the very points he is trying to make in this book. Alda has a gift for speaking about lofty ideas in layman’s terms, and his fervor for his subject matter shines through. This passion is at the heart of what engages us.
There is a stark, necessary brutality to these poems, and so many wonderful, poignant lines that one is tempted to quote continuously in an effort to impress upon readers the importance of this work. Therefore the best recommendation is to read it whole, in its entirety, to absorb its authentic reflections and stunning phrases and to reap the rewards of personal insight and possibly even enlightenment.
For those who saw beneath the veneer of our country’s prosperity, “Howl” was the response of those supposedly mad or insane, observing the interior disintegration of a society enamored of materialism, steeped in religious doctrine but becoming increasing devoid of spiritual direction, still segregated and racist and generally intolerant of sexual honesty. “Howl” helped define a generation that saw beyond America’s inflated sense of progress and supremacy.