The author of Finding Grace talks about her new book, where the idea came from, characters, influences, target readers, and on starting writing later in life.
The author of Sunday Afternoons and other Times Remembered: A Memoir talks about his new book, his influences, his target reader, the music that inspires him, his work in progress and more.
The author of A Disturbing Nature talks about his new book, his motivation for writing, the book’s inspiration, on writing about heavy subjects, key themes and narratives, his next book, and lots more.
Anna Salton Eisen’s memoir Pillar of Salt: A Daughter’s Life in the Shadow of the Holocaust, has never been more relevant than it is today. As we witness Ukrainians under attack and escaping across the Polish border, Anna’s new book draws upon her parents’ Holocaust history to bring perspective on the current war. In this Q&A, Anna talks about her new book, her parents and why they didn’t talk about the Holocaust when she was growing up, her trip to Poland with her parents, her new project, and lots more.
I wouldn’t call Bob Freville a hero of mine, but after our exchange, I feel comfortable encouraging others to interface with those whose work they appreciate. The experience has taught me that good artists can be objective about their own work and inviting of alternate opinions.
The author of What Matters Most talks about her new book and its inspiration, her characters, writing about Nantucket, on writing about secrets, and lots more.
Jacques J. Rancourt is the author of two poetry collections, Brocken Spectre (Alice James Books) and Novena (Pleiades Press), as well as a chapbook, In the Time of PrEP (Beloit Poetry Journal). Raised in Maine, he lives in San Francisco with his partner and the world’s most anxious dog. Set in San Francisco, Brocken Spectre examines the way the past presses up against the present. The speaker, raised in the wake of the AIDS crisis, engages with ideas of belatedness, of looking back to a past that cannot be inhabited, of the ethics of memory, and of the dangers in memorializing and romanticizing tragedy.
Recently, I received a review copy of Surviving Home, by Katerina Canyon. I knew of Katerina from a weekly virtual poetry reading series that she runs, called “Canyon Poets.” She is a self-made poet, community activist, and poetry agitator. Surviving Home is a series of narrated poems describing surviving an abusive childhood, being raised in an abusive home, and sometimes being homeless. I found that I couldn’t review the book in good faith; although I felt compassion for her story, its overwhelming darkness felt too dense for me to penetrate.
In The Murders of Moisés Ville, award-winning journalist Javier Sinay investigates a series of murders from the late nineteenth century, unearthing the complex history and legacy of Moisés Ville, the “Jerusalem of South America,” and his personal family connection to a little-known period of Jewish history in Argentina, linked to his great-grandfather Mijl Hacohen Sinay.
The author of Dead Wind talks about her latest book, her protagonist Senior Investigator Shana Merchant, on writing a crime series, the Thousand Islands setting of the series, the attraction of putting a contemporary spin on classic, Agatha Christie-style detective fiction, PTSD, and more.