I used to think that legal language was the opposite of poetic language. In her latest poetry book, The Heart of the Advocate, Angela Costi shows that this dichotomy is a false one. Drawing on her experience as a legal advocate, Costi combines legal tropes with poetic techniques to powerful effect, reclaiming what she calls “fossilised legalese” in ways that concatenates the poetic themes of memory, migration, and nostalgia with activism, injustices, and trauma.
Category: Book Reviews
Book Reviews
The Witnessing Poet: a review of Water & Wave by Eugene Datta
In the end, Water & Wave succeeds by telling the story of the poet’s own evolution as a witness to experience. From the poems early in the book that treat memory and the writer’s capacity to evoke it with few caveats, to the final title poem in which the distinctions between mind and body, thought and experience, are stark and unable to be overcome, Datta brings us to the present moment.
A review of Mermaids and Musicians by Diane Frank
A cellist for over eighteen years with the Golden Gate Symphony, Diane Frank writes about music with profound authority. Her deep understanding, knowledge and love of music in all its forms is evident throughout, whether it’s dissecting the Beethoven Quartets or describing the subtle performance of vibrato on a cello or delighting in banjo and fiddle tunes at a dance where people are waltzing, clogging, dancing contras. Her lyrical style is as elusive and rousing as the music in which she luxuriates.
The Tragedy of Righteousness: On Claire Daverley’s Talking at Night
“I know it seems like I didn’t choose you, ever, Rosie says, when all I wanted was to choose you.” Will and Rosie’s commitment is honest, low-key, and earned. The frustrations of two fallible people trying to do it right make Talking At Night a worthwhile read, A fragile, fierce meditation on love, restraint, and what it means to be chosen, seen, and loved selflessly.
A review of The Years of Blood by Adedayo Agarau
Everyday African life, as depicted in Agarau’s debut poetry collection The Years of Blood, is a concrete space where “God is somewhere withering in his envelope of silence” – but how to overcome both God’s silence and the West’s speculative consideration? Infliction. In a style diagonal to Ocean Vuong’s arcane confessionalism and Charles Reznikoff’s documentarian ache, Agarau aims to inflict the griefs and hopes of life in Ibadan, during “the years of blood.”
A review of Open House: Conversations With Writers About Community edited by Kristina Marie Darling
This essay collection is of particular use to educators, with many of the essays operating from the perspective of professors in classroom settings, and thus including their strategies for engaging students in community. But there are also prescient reflections outside of the classroom or workshop, such that any reader with a passion for writing and poetry might find new perspectives and useful tools.
A review of Room on the Sea: Three Novellas by André Aciman
These overwrought overthinking characters, some dubious, some convinced at the get-go by the gentleman’s parlor tricks, are epic romantics. You might even say emotional vampires. Back and forth between alternate lives on the Amalfi coast, and in New York City (where London Terrace apartments and the High Line figure mightily), these folks dive deep into their projections and unslaked thirst for completion.
A review of A Yellowed Notebook by Beth SKMorris
While mainly a tribute to her father’s memory, Beth SKMorris’ A Yellowed Notebook also fondly (and sometimes not so fondly) recalls the rest of her family as well. Bookended by two haiku set seventy years apart, the poet lovingly reviews her father’s life and the lives he affected. The overweening picture of David Kaplan, her father, is of a confident and caring man deeply engaged in life.
A review of The Making of a Poem by Rosanna McGlone
The Making of a Poem has consistently excellent poems, worthy of emulation and worth buying for the selections alone. Being able to follow the transition from rough draft to finished poem provides fascinating insight. It’s isn’t some ineffable genius that creates such works, but hard yakka combined with a crucial sense of what does and doesn’t work which only comes with extensive reading and years of practice: the long apprenticeship that the poets featured here have clearly had.
A review of Roads to Stroud by Noel Jeffs
As with previous poems I have read by Jeffs, there is a sense of quickened pace created by the lack of formal scene-setting and there is a direct apprehension of feelings and objects. The poet’s persona is established sympathetically so that the reader wishes him well and hopes that his difficulties, whether physical or metaphysical, are resolved.