In the midst of narratives preoccupied with decay and disease, Glick’s language is vibrant, even magical, and often humorous in its treatment of youthful yearning and cynicism. The author flexes a talent for poetic prose especially in “Mermaid Anatomy,” which is narrated by a young man on vacation from Holland who plays hide-and-seek with a girl he meets at his hostel.
Crozier sometimes finds nature in surprising things. She says, of “Key I”, “perhaps it is not a key but a long-thoraxed praying mantis about to grow legs and walk away.” Of Key II, she writes: “Is it called skeleton because it unlocks the mystery of bones?” Here “nature” is human nature, the human mind’s ability to free associate and make connections.
The theme of wounds in this collection relates principally to issues and disappointments regarding reproduction. Seven of the eleven stories in the collection have to do with infertility, wanted and unwanted pregnancies, life with small children and the hard decisions parents must make. Readers who have these concerns will find What Shines from It particularly meaningful.
The photographs presented here also portray the multiple dimensions and complexity of life. Every photo has a unique message to convey which is picked up on by the poet as she explores the sensations, feelings, hopes and struggles reflected in the images. Urban Reflections is a unique collaboration – beautifully presented and deeply meaningful.
The Hate You Give is a story of both justice and injustice, love and family. This book will have you laughing one minute and crying the next. An exquisite novel, I would recommend to not only YA but adults as well. This novel has a powerful message which needs to be spread.
To write a novel so replete with historical and geographic information requires both research ability and personal experience. Author Katalin Kennedy, a graduate of Carleton University in Ottawa, is a Canadian of Hungarian background who took many coach tours with her husband over a forty year period, seeing much of Britain and continental Europe.
Many of Sarai’s lines have the declarative emphasis of aphorisms. “Easier to make an enemy than beef Wellington” begins the poem, “Call Me Sheena.” “Tenderness isn’t necessary but there it is / like a chemical we write to Congress about,” she writes in “Not Simple Is Joy nor Cosmology.” “Wedding planners are a food group,” she writes in “A Scarlet Moss,” “So is roast beef.”
Axiomatic is a gorgeous, difficult and extraordinary book that demands deep engagement from the reader. Tumarkin’s humility, dark humour, scholarship, and above all, the empathy with which she connects her own experience to that of her subjects and ultimately to that of the reader creates a tapestry that is moving, powerful, and important. This is a book that seeps under the skin, changing perception. It’s vital reading.
The Grace of Distance has an immediate appeal with a parabola of terse phrases and expressions turning into maxims. The poems of the first section have a wider spectrum of portraying the human emotions, drawing upon the spiritual wanderings through the labyrinths of one’s mind or hint of rebirth or reincarnation of human souls, as propounded by Lord Buddha.
Bringing together 2 cultural forms of good luck exemplifies some of the more fun poems in the collection. Various puns and cross-stitchings of image and implication make the collection surprisingly wide-ranging.