Rush is a great read, a gentle-hearted literary novel of the New South telling an eye-opening, entertaining story with a conscious. The book is impeccably well-written and deserves the accolades that are coming its way.
Lyrical and solemn, The Shades underscores the sense of meaninglessness that follows the death of a family member. Through its piecemeal narration that takes readers through various perspectives, the novel’s characters never quite seem to move past what has happened—instead, it is as though they swim eternally in their own fear of death.
Bridge of Clay is a beautiful, complex book full of subtlety, metaphor, and human connection. It’s a story of many things, not just a child’s attempt to document the loss and redemption of his family, though that is the driving plot line. It’s also about the nature and power of language and to that extent there is a meta-fictional quality to the work.
The external and internal settings of the novel bring out its luscious and complex themes. In addition to sensational descriptions of Beijing bars, street corners, and apartments, the novel also delves into the nooks and crannies of the human heart.
Frankopan must have had great publishers. Aside from the aesthetically pleasing cover design with sumptuous Islamic floral and geometric patterns overlaid with gold lettering, the selling point of the book is its ambitious thesis: to reposition the centre of the world and repatriate the influence that Eastern regions have had on global events. The book is undoubtedly a titan effort in scholarship.
Without exception, her characters are fully realized, interesting and complex; each has his or her own voice. They are from the working class and the underclass, and occasionally the criminal class. Their tragi-comic story is engaged with our times and resonates precisely with the national zeitgeist. A Body’s Just as Dead entertains us, enlightens us, moves us. It is a fine novel and a joy to read.
As a self-professed “agnostic protestant”, Norwich claims he has “no axe to grind”; he steers clear of theology and achieves a style which is anecdotal, witty, and irreverent. A story less sacred than profane, he relishes with morbid fascination the unpleasant details of the institution’s sinners, while displaying undisguised admiration for its saints.
The first third of A Thing of the Moment is by far the most successful part of the novel. Its gradual unfolding of the children’s individual lives is compelling and increasingly disturbing, particularly Isabella’s bizarre and horrifying family. Injustice, unfairness, evil – seen through the eyes of a child, these things have an existential weight and determining force that can distort a life forever.
Throughout the later chapters of Rise, VanZant takes readers on the rollercoaster of her professional career. From the incredible flying head kick finish of Bec Rawlings to her famous defeat at the hands of Michelle Waterson in the main event of UFC on Fox 22, we see her excitement and disappointment at various moments in her career. No matter if she’s sharing the highs or lows, it is impossible to read these reminiscences without rooting for her every inch of the way.
David Blight’s book delivers the new Frederick Douglass standard-bearer for years to come. In our own troubled times the “prophet of freedom” can indeed offer wisdom, but we must be cognizant of the pitfalls of forcing him into modern controversies. We should acknowledge his compelling radicalism without sidestepping his essential complexity.