The book is pitched in such a way that it can be used by those who are just starting out, people who will want to follow it’s step-by-step approach from cover to cover, or those more experienced, who can gain ideas and inspiration from what is working well for Bowerman and his colleagues.
There is a warmth and an affirmative coaching quality to this book, but it isn’t only about urging you on. There are also some useful suggestions and exercises designed to help you work through your fears, and find out exactly what you need to write. There are exercises for overcoming block, even when it seems overwhelming, ways of coping with distraction and transition, and ideas you can use to deepen your characters, enrich your settings, and extend your plot.
Standing at Water’s Edge provides a deep psychological understanding of what is required, and how we can allow ourselves deeper immersion into the world of our art, regardless of what kind of art we practice. The end result will be not only more powerful art, but a better sense of who we are and how to overcome the many fears that block our creative impulses in all aspects of our lives.
Although it might not be for everyone; and there’s a fair amount of paper manipulation and fiddle, Williams’ system is one that will work in turning a good idea into a well constructed, pleasing book. The systematic approach makes the most of each person’s individual creativity, and even the little tips on writing are unique and clever in their approach. For anyone who struggles with large writing projects, this is an empowering, fun, and innovative process.
The Write Advice is an interesting collection of affirmations and sayings that you can enjoy whenever you need a little inspiration, to get yourself going, or just for a laugh. This is a neatly presented, well chosen group of sayings that can prove valuable for both changing your mindset, and finding camaraderie and support from the most lofty sources.
While you might need a few more reference books on your journey from a person who dreams of being an author to someone who has a book of his or her own to sign and sell, this is nevertheless a useful starting point and a reference you’ll find yourself going back to along the way.
This seems to be a recurring theme for these American writers. In a culture obsessed with money, that judges people’s worth, and even godliness, on their income and possessions, how can a serious writer survive psychologically and continue to produce while knowing those around them often perceive them to be layabouts and losers who should get ‘a proper job’?
Overall, Elmore Leonard’s 10 Rules of Writing is a smart, generous, thought-provoking piece of work and is chockful of all of this writer’s insouciant integrity – but don’t come to it expecting to be spoon-fed. One would have liked more, for at a mere 89 pages in all, the book is somewhat slight.
Mace and Vincent-Northam are both experienced freelancers, and provide readers with the benefit of their experience. The overall result will be a shorter learning curve and fewer rejections. Topics covered include such things that all new writers need to know, like writing a bio, how to research the market, how to format a children’s picture book, writing a cover letter, avoiding common grammatical problems, invoicing, and a whole lot more.
The new version is still comprehensive, and still contains a superbly structured, compendium of knowledge about the world of “authorship”. The book is still infused with Fry’s 30+ years of experience in writing, publishing and teaching writing and publishing, and is still a well written, easy-to-read book that will help authors at all stages of their careers. But the new edition has been significantly updated.