For sheer entertainment alone, it would be hard to beat the relaxation and engagement of listening to such a well done adaptation. For anyone who has to spend time in a vehicle or engaged in an activity that doesn’t allow for a book in hand, this audio is one which will transform the journey into one of pure pleasure.
It is the first book in the Palliser series, so that if you want to tackle this one of Trollope’s two novel-sets, you should start here. And it is a probing and sensitive study of a woman struggling to find her own way, in a society where this was really unheard of, and where it took much more of a battle than it would today.
To read Paradiso by itself is a novel experience and well worth the special attention that it requires. This translation is exceptional and among so many stands out as particularly splendid and true.
I think the greatest merit of Trilby is in its obviously deeply-felt evocation of the Bohemian, artistic side of Paris in the middle of the 19th century. I have come across some indication  that what Du M wrote may not have been literally true in its details … but it is hard to believe that the spirit of Du M’s writing is not somehow true.
As a feat of storytelling, though, The Ministry of Fear is both instructive (e.g. for the way certain significant events happen “off-stage” and the way in which certain characters – Prentice being one – act as a lodestone or lightening rod for the emotional force of the story) and impressive. This is a minor work, then, but a novel with its own strengths and satisfactions; and it is an interesting precursor of much of what was to follow.
My Antonia is a great novel, a classic that does not disappoint. Perhaps most of all, it is about what true wealth is. Reading it, one is reminded often of The Go-Between by L.P. Hartley: there is the same look back toward childhood and the same richly allusive and resonant symbolism.
In The Unbearable Lightness of Being, a book of moderate length, Kundera provides a richness of content out of all proportion to its length. He achieves this by a use of narrative loops. These loops cover areas that are approximately the same…
A Review of Saul Bellow’s Humboldt’s Gift Humboldt’s Gift has its picaresque side and the selection of types and traumas may be looked at as modern translations of Huck’s own troubles and concerns. The honesty of the writer is a…
Charterhouse of Parma (published 1839) is set in Italy, but this is in the early 19th century, before Italy became “Italy”. While a country such as France, with its late-18th-century Revolution, had of course much nationalistic feeling and was a political entity, Italy still retained the medieval character of a host of tiny “principalities” (an area ruled by a Prince) and such. Parma, in northern “Italy”, was one of these mini-countries. When we first meet the Prince of Parma, Stendhal draws a portrait of … well, not what you would expect of royalty.