Without exception, her characters are fully realized, interesting and complex; each has his or her own voice. They are from the working class and the underclass, and occasionally the criminal class. Their tragi-comic story is engaged with our times and resonates precisely with the national zeitgeist. A Body’s Just as Dead entertains us, enlightens us, moves us. It is a fine novel and a joy to read.
Salloum bravely brings the reader into her fictional psychological and experienced discomfort zone. We follow Arabella into crowded AA meetings, observing frightening declarations, addiction denials and relationship failures. We watch as her broken heart bleeds, and all the while continually hope and pray for Arabella’s redemption.
Reid’s informative depiction of one such episode should become essential reading within the national high school curriculum and would also provide a great foundation for supervised classroom discussion groups exploring these issues and the consequences of such actions.
There is never a dull moment throughout Villareal’s novel. I’m not generally the type of reader who’s into vampires, but this novel is on a completely different foundation. Villareal’s detailed portrayals will be very familiar to readers. His gloamings are out there now – they are those celebrities and political leaders that we worship and imitate. This is a book with wide-reaching appeal, which is going to be very very big. You heard it here first.
Lane has chosen Saint Albans, a NSW inland settlement located on the Macdonald River on the same latitude as Tuggerah and Central Mangrove fictionalised as Lochway. Lane’s characters are well-defined and likeable. Her narrative leaves an impression of familiarity and association. Using the central figure as an author automatically opened up a vault of her own personal experiences to relate with and enrich the book’s content.
Anatomy of a Scandal reads like a story ripped from today’s headlines: a prominent man is accused of sexual harassment. I couldn’t put the book down—I actually felt edgy when I wasn’t reading it, almost like the story was an addiction.
The seven adults in the circle are the most successful members of their families of origin and have more in common with each other than with their relatives. All remember their parents as “hopelessly authoritarian, yet clueless and also uninterested in parenting.” As it turns out, however, one family’s failure at parenting shakes the group to its foundations.
Lucky Or Not, Here I Come is the debut novel of Gerry Orz, written when he was just fifteen years old. Immediately the reader can see that Orz is a storyteller who keeps his audience engaged and involved. These attributes also translate well into his ventures in filmmaking.
You can call Loose Ends social commentary, a mystery to be solved, a psychological thriller, an escape novel for the novel, and even a comedy of errors. While it’s a serious situation both women are in now and were in when they were growing up temporarily in El Salvador, there’s a comedic lining.
Preston crafts a parallel mystery that keeps the reader turning pages. What’s the link between these two characters? They appear to have nothing in common and are leading completely unrelated lifestyles. Gillian is an insulated city girl focused on her career and making a half-hearted attempt to save her crumbling marriage; Greer’s family is urban, outdoorsy, close-knit, and protective of each other.