The author’s style is simple and straightforward, and her use of highly descriptive prose generates excellent dialog and tantalizingly paints her characters as well as the tumultuous events in which they participate. I particularly enjoyed the alliterative flourishes: (“tawny tangy dancing woman”; “she senses sin and shame standing sentry”; “maggoty men”); the challenging vocabulary: (“termagants”; “tumescently proud”); and plastic descriptions: (“fish belly pale inner forearm”; “moon whipped water”; “soda bottle eye glasses”; “ the barbed wires of consolation”).
The Gopher King is a ribald fantasy wrapped up in a psychological drama. As such, it can be appreciated at several levels. How much of Stan’s delusions do readers take literally? It is hard to say. But, in the words of the gopher king himself, “If you want to have a headache about the meaning of things, then you have to provide your own aspirin.”
River Aria is an exquisitely written conclusion to the Rivers trio. Schweighardt creates rich layers of meaning through the three books, across settings that are sometimes sumptuous and sometimes desolate, but always rich in psychology, history, drama, theatre, and a very subtle political thread that hints at the power of compassion.
Most of the human characters in the book are real, and an attempt to bring back the Wooly Mammoth is happening, as detailed in the “Epilogus hominum” in order to try and slow global warming. Flynn does a stellar job of bringing together fantasy and history and Mammoth is a joy to read. The book is a cautionary, bold, loving and instructive tale that is mostly historically accurate, always funny, and often poignant.
Reading Becoming Lady Washington, one feels a little like Elizabeth Bennet in Pride and Prejudice (published 1813) when she first sets eyes on Mr. Darcy’s palatial home and vast landholdings. Martha’s lifestyle on her first husband’s estate and then at Mount Vernon was similarly luxurious.
It is the clever detailing of life on the Island, and of leprosy, that makes this book so very engaging. Three men alone, with only occasional visits, making their own entertainment, caring for one another, knowing that two of them will never escape the Island unless it’s to go to another leper colony… Yet Carmen makes these men and their lives fascinating. There is real love here; gentle, unselfish, sometimes hard-tried love.
Although primarily a work of fiction, Votes, Love and War is grounded in actual historical events and personalities. For example, Frances Beynon and Lilian Thomas (née Beynon) were prominent writers and suffragists in Winnipeg in the prewar and war years, speaking at public events, founding organizations such as the Political Equality League, and publicizing such injustices as the exploitation of women at work in the factory and on the farm.
Meehan includes details that capture the atmosphere of Depression-era Saskatchewan: homemakers’ clubs and farm organizations; bank foreclosures and farm auctions; indebtedness to the general store; relief shipments from Eastern Canada, and lack of books in the schools.
Though it’s a fine sequel, Gifts for the Dead can be read on its own. Schweighardt does a wonderful job of weaving the first book through the narrative subtly, picking up and expanding on some of the themes of the first book: family ties and the sometimes wrought bond between siblings, the enduring nature of trauma and recovery, and the impact of greed on all that is precious in this world.
Finding Dorothy is a hymn of praise to creativity: the ability to blend inspiration, experience, knowledge and skill to produce something magical. “Magic,” Maud tells Judy, “is when we … all escape ourselves a little bit and we meet up somewhere and…taste the sublime.”