Though Before We Died is a fictional story, full of intrigue, mystery, and a driving plot that makes it very readable, it is also built around real events as described in the prologue, particularly the catastrophic impact of the rubber boom on some areas of the Amazon, ecologically and in terms of the impacts on the native tribes. The book also confronts issues like racism, exploitation, slavery, and rampant colonialisation, seamlessly integrating the universal into this particular story in a way that feels natural
Naturally Lorena is subjective, althought historians have written that Franklin’s affability and charm hid a selfish, determined core. One must remember that he was coping with a disability and deteriorating health while pulling his country out of a depression, then leading it through a world war. As Doris Kearns Goodwin shows in her non-fiction work, No Ordinary Time, Eleanor played a vital role during these national crises.
Fans of historical fiction (especially those based on true events) will likely enjoyThe Murderer’s Maid. Mailman clearly did her research—she included some of the documented incidents that are now part of the Borden family lore, and creates an interesting secondary storyline that weaves together the past and present into a compelling read.
Overall, this book is interesting because it gives a new perspective on war from a boy who has never been involved in it. Also, because it is from the perspective of someone who is from a foreign country, the reader can understand what World War II was like for that country and how it affected them. I was personally intrigued by the character Pino because of the hope that he held throughout the whole war. Even though things around him were falling apart, and it seemed like nothing was going right, Pino still had faith that everything would be ok.
Having co-authored, with Joy Trott, the biography Grace MacInnis: A Woman to Remember, Ruth Latta is an expert on her subject. In Grace in Love, she holds a magnifying glass to a crucial portion of Grace Woodsworth MacInnis’s long life. Because Grace in Love is a novel, not a biography, some fictional characters mingle with the real ones.
Throughout the reading my mind often reflected back to Colleen McCullough’s collection. She remodelled Gaius Julius Caesar to her own interpretation and I sensed the same thing happening with Robert Fabbri’s Titus Flavivus Vespasianus. In this book he wastes little time in dispatching friend or foe (including his brutalised wife) into the next world with his trusty gladius. I can understand why this is a bestselling series with an ever-growing audience.
Geoff Nelder is one of those writers who seems to be able to work across multiple genres seamlessly. There’s always an element of action, a hint of steamy romance, and his trademark twist. In his latest novel, Xaghra’s Revenge, the twist is a mixture of history, science, horror and fantasy. The research that underlies this novel is obviously impeccable. The narrative is built on the true story of Turkish pirate Rais Dragut, a brutal and deranged man who, in 1551, captured the entire population of Gozo, one of the Maltese islands, and sold whoever survived the terrible journey into slavery in Northern Africa.
This novel is more than just another a period piece of fiction. Crowhurst has written an evocative experience: a time-machine back to three and a half centuries ago into a world so unlike the present day that it actually become entangled and is essentially involved in generating our present heritage. This is set in a time before those childhood nursery rhymes were yet to be constructed as political satire and when the Dutch were the current adversary. Mix up the wrong potion and you could be accused of witchcraft.
From the beginning to the end The Joyce Girl is an enchanting tale, beautifully written. It drew me in and wouldn’t let go; I was caught and trapped right up to the epilogue. And what a cast of characters … their names kept dropping from this book like exotic fruits, starting with James Augustine Aloysius Joyce, Samuel Beckett, Madam Egorova, Alexander Calder, Nijinsky, Scott Fitzgerald, Zelda Fitzgerald, Stella Steyn, Thomas McGreevy, Pablo Picasso, Dr Carl Gustav Jung, Gertrude Stein, Margaret Morris, John O’Sullivan, Isadora Duncan, and Stirling Calder all get a mention.
The author has researched her material thoroughly, even becoming a volunteer at the Queensland Museum and learning how to prepare ornithological specimens. This makes her descriptions of the preparations of the birds in her novel thoroughly convincing, as when Elizabeth is required to prepare the body of a brush turkey for its skeleton to be displayed. And the descriptions of her drawing and painting the prepared birds sometimes take the breath away, as with the quetzal, who ‘sported iridescent sheens in its plumage, like silk from China, gossamer and spider’s webs, droplets of water catching the light’ (94).