Several supporting characters are painted with skill; they grow into people that the heroine and her husband care about enough that the reader joins into their admiration. Other characters help to place the story into social and historical context.
The new social order is shown in a scene in which Ruth has dinner with three key people in her life. Similarly, the recurrent Christmas celebrations, with their associations of goodwill, peace and justice, reinforce the new spirit of harmony. Christmas, as well, serves as a good structural device to show continuity despite the passage of time.
Frank gives readers a rare taste of what it was really like to be inside the Third Reich. Of course most of us have heard stories of Hitler’s quest for world domination, and unfortunately we’ve all heard stories about the death camps, but Frank’s novel falls somewhere in between. The story is more of what the officers endured on a regular basis.
David James does a fabulous job of bringing Becky Sharp’s story to life. She is both absolutely detestable and endearing all in the same. He pulls you into her tumultuous and humorous past. This heartbreaking past also gives insight into what has led this woman into such a selfish and irresponsible lifestyle.
Primarily, though, The Map of Time warns of the hazards of manipulating history; this could loosely be read as a modern commentary on the written records of history–records that now include an increasing magnitude of unreliable records located on the World Wide Web. To a lesser extent, Palma explores the familiar modern anxiety of privacy: time travel would ultimately establish ‘a world where privacy would no longer exist’ and an individual could no longer sustain control—or permanency—over their actions.
His life was brief, but Radiguet’s achievements were immense. With The Devil in the Flesh he created an extraordinary novel, complex and cruel, excoriating of self and society. And reading the novel as a portrait of alienated adolescence, only Chandler Brossard’s brilliant The Bold Saboteurs comes close.
The story of William and Anne – and how they balance their lives between the domestic, the theatre, and the grander sweep of history and immortality is a powerful one that drives the reading forward towards a conclusion that, if foregone, is still one that hints at a story with much more to come.
End of the Century is a fun mix of fantasy and science fiction. The apparent villain, one Huntsman, provides much of the tension in the novel and appears to be the well-known fantasy figure.
I thoroughly enjoyed and was totally swept up in the world of this marvellous story and can’t wait to see what Edge produces next. Highly recommended to all who love art, are engaged in art-making, or who have an interest in moral and philosophical issues to do with the exploitation of life in art’s service.
To say anymore, would give away the story, so I’ll stop now and encourage readers to learn for themselves the fate of these rich and varied characters. The author could have let the captain slide in a one-dimensional character but instead shows the man with all his doubts and his extreme wonder at how his life unfolds. Gerda too, is more than just a lusty female bent on conquering her man. Her delightful personality unfolds like a flower under the attention of a man finally worth of her charms. The story is told in the first person and so we never learn the captain’s name, but this fact in no way spoils the novel. Sprinkled throughout the book are lines from the poem The Ancient Mariner.