This is a quietly impressive collection for lovers of the flash form, the traditional short story, and of poetic form. It is for dog-lovers, for mothers and lovers, and those for whom the routines, landscape, and concept of domesticity implies a multitude of contradictions and simultaneous truths. In her poised expressions and riddle-like compositions, we come to know the many dimensions of this Kim Chinquee/Elle character and her relationships.
What the book shows clearly is that human nature and its relationship to the world is timeless, and Beowulf is also a story about modern life. We may not have literal dragons, but we have plenty of bar-room bombast, metaphorical monsters, and enough inequality to make Beowulf as relevant a tale as it ever was. This is a version that is highly recommended, not so much to ensure you’re up with your classic education, but rather, for the sheer pleasure of the story and its execution.
Persaud tightly packs an abundance of emotions into this novel where laughter, anger, and tears were freely expressed throughout. Evenly impressive is Persaud’s use of food throughout the novel as a love language between friends and family. Detailed descriptions of how to create some of the Caribbean’s most famous dishes litter the story, and always during a time when a character needs comfort the most.
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This might seem like another predictable tale about how the bourgeois people of the city don’t know how to adapt to a small town, but the author, Japanese writer Hiroko Oyamada, manages to turn The Hole into a surreal and fantastical story that is as intense as a dream and intoxicating as a hallucination.
In her preface, she tells us that this account is based on research and her father’s experience as an adolescent in pre-war Germany, although he shared little of his memories. But Gerber wants to remember and record this time, as does Karl, in order to honor the memories of those who perished in the hands of the Nazis, and also those who, like Karl, survived, but were forever haunted by those they lost.
Having been a person who grew up as Kannadiga in suburban Atlanta, I felt like I not only relived some of my own experiences of being Western and yet outside of the West, I also felt like I lived a lifetime with Vikram. This is one of the most potent powers of writing; to make the writer, and reader, through the imprint of a page, feel as if they were one.
These girls are still alive and living in Boston! Wisel does not make moral judgments. These stories are only meant to the show us lives we often overlook. The writing is vivid: you really do see these characters, and sometimes it’s a very uncomfortable vision.
If you’re a Dostoevskian existentialist, an armchair philosopher, or just interested in international indie writing, 125 Rus is for you. Just don’t forget yourself reading it!
Editor Cherry Potts created a masterful work of art with this anthology, intricately combining poetry, short stories and flash fiction that spans a variety of themes. In all of the works, the writing is accessible, yet beautiful. The otherworldliness of spiders brings about bewitching language in almost all of the entries.