What is interesting about this book is that it is presented in such a way as to appear serious and it is only in the fineprint that fiction is mentioned (and oh, I’ve just noticed the words “delusional” and “satire” in the title). If a newbie to zen philosophy picked it up, there’s enough sentences in this book to convince them it’s non-fiction; a book to be studied and unravelled.
Fritz Peterka is a native son of Vienna, and in this information-packed pocket book (measuring about 16.5cm x 11.5cm) he describes 50 walks that can be taken in and around the Austrian capital.
Anselme’s approach is to dig deep into the attitudes and motivations of three soldiers who are home on leave, let loose in Paris for a week or two. He shows us the distance between civilians safely ensconced at home and combatants who are fighting an unpopular war – a situation we have since come to know only too well. For sure, there is no sanctuary: these three guys may as well be ghosts, they’re on their own. Adrift from lovers, friends and family.
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If you have any familiarity with Russian culture, Russian people, or if you step back just for a moment from some of the intensity of the exchanges between the characters that people her stories, you sense a thread of humour, of warmth, of great compassion about the passing nonsense we call life.
At no point does the book lose its dramatic momentum. In fact, so compelling is the plot at times that it takes some effort to slow down and read the poems fully as poetry should be read, rather than racing on to see what happens. Vanishing Point is quick and easy to read, but the poems repay second and third readings where the complexity of the work begin to unfold. Diana’s self-awareness grows viscerally and sensually as she comes to accept the sensations of her adult body through the final section.
No One is here Except All of Us is an exquisite, circular tale that takes us back to where we started – where we all start – at birth, where we create the world afresh. It’s full of wonder even in the midst of the most dire tragedies. Beautifully written, full of pain and poetry, this is a book that opens histories most intense and painful moments and shows what survives: love and DNA.
Written by Kiri English-Hawke when she was a schoolgirl, this short, insightful narrative affirms that the current generation of young people are still affected and troubled by the Holocaust of WW2 when ordinary citizens’ lives were scarred by an horrific and hideous conflict that made no sense. It is a remarkable achievement as it offers a very positive picture on the resilience of the human spirit in the landscape of war.
Her roles as daughter, sister, wife and mother coupled with her nursing career have provided Victoria with a plethora of experiences and observations around which to weave her stories. Beatrice Fed the Ducks is a poignant story of aging and memory failure, which is sure to pierce even the hardest heart. White Shoes and A Weather Eye bring memories of fellow nurses who influenced Victoria’s attitudes to work and life, while Code of Denial draws on her knowledge of drugs and their dangers.
Millie’s plight alone should have had me in tears by page two, but Davis has drawn this character so skilfully that at no point did I pity her. Yes, I wanted to give her mother a slap for leaving her daughter in a shopping centre—but at the same time I understood why she did what she did. And that is the magic of this story: Everyone who has ever been torn asunder by loss will relate to these broken people.