We have a copy of RETURN TO OAKPINE by Ron Carlson to giveaway. To win, just sign up for our Free Newsletter.
The winner will be drawn on the first of December 2014 from subscribers who enter via the newsletter. Good luck!
We have a copy of RETURN TO OAKPINE by Ron Carlson to giveaway. To win, just sign up for our Free Newsletter.
The winner will be drawn on the first of December 2014 from subscribers who enter via the newsletter. Good luck!
If you have any familiarity with Russian culture, Russian people, or if you step back just for a moment from some of the intensity of the exchanges between the characters that people her stories, you sense a thread of humour, of warmth, of great compassion about the passing nonsense we call life.
The author of Vanishing Point, and Workshopping the Heart reads from and talks about her latest books of poetry, about the transition from poetry to drama, the relationship between poetry and theatre, about her protagonist Diana, on writing about anorexia, about family…
At no point does the book lose its dramatic momentum. In fact, so compelling is the plot at times that it takes some effort to slow down and read the poems fully as poetry should be read, rather than racing on to see what happens. Vanishing Point is quick and easy to read, but the poems repay second and third readings where the complexity of the work begin to unfold. Diana’s self-awareness grows viscerally and sensually as she comes to accept the sensations of her adult body through the final section.
No One is here Except All of Us is an exquisite, circular tale that takes us back to where we started – where we all start – at birth, where we create the world afresh. It’s full of wonder even in the midst of the most dire tragedies. Beautifully written, full of pain and poetry, this is a book that opens histories most intense and painful moments and shows what survives: love and DNA.
Australian Book Industy Award Winner Brooke Davis reads from and talks about her novel Lost & Found, about her lovely, quirky characters, about writing a novel as PhD project and its impact on her work, about the intersection of grief and art,…
Written by Kiri English-Hawke when she was a schoolgirl, this short, insightful narrative affirms that the current generation of young people are still affected and troubled by the Holocaust of WW2 when ordinary citizens’ lives were scarred by an horrific and hideous conflict that made no sense. It is a remarkable achievement as it offers a very positive picture on the resilience of the human spirit in the landscape of war.
Her roles as daughter, sister, wife and mother coupled with her nursing career have provided Victoria with a plethora of experiences and observations around which to weave her stories. Beatrice Fed the Ducks is a poignant story of aging and memory failure, which is sure to pierce even the hardest heart. White Shoes and A Weather Eye bring memories of fellow nurses who influenced Victoria’s attitudes to work and life, while Code of Denial draws on her knowledge of drugs and their dangers.
Millie’s plight alone should have had me in tears by page two, but Davis has drawn this character so skilfully that at no point did I pity her. Yes, I wanted to give her mother a slap for leaving her daughter in a shopping centre—but at the same time I understood why she did what she did. And that is the magic of this story: Everyone who has ever been torn asunder by loss will relate to these broken people.
The author of the poetry collection Radiance reads a selection of poems from his new book, talks about how the book came together as a collection, its structure and epitaphs, his themes, on being a “cricket poet”, on hanging out with…