What makes this a fun collection to read is the mode of writing in the same style as those early horror tales with formal language and settings built as if they existed in the netherworld. These are stories where everyone seems to whisper and creep, except they aren’t very predictable.
Category: Literary Fiction Reviews
A review of Five Bells by Gail Jones
This is a novel that, like Slessor’s poem, explores time, and the way in which it flows between and across character. When Ellie, James, and their pivotal teacher Miss Morrison learn about the Clepsydra – the Chinese clock that consists of vessels that leak time, Ellie and James are excited. Time is a process “of emptying and filling, a fluent time-passing, not one chopped into pieces.”
A review of How to Survive a Natural Disaster by Margaret Hawkins
How to Survive a Natural Disaster is, in turns, a disturbing and very funny novel of frailty, change, and a kind of survival. Each of the characters makes multiple transformations, both internal and external, that move between appearance and the reality underneath. Artifices come and go and finally disappear by the book’s end.
A review of The End of the World—A Tale of Life, Death and the Space In Between by Andrew Biss
While it’s unlikely anyone could possibly write something new on this subject, what Biss has done with The End of the World is to create characters who express various viewpoints on what I assume Biss sees as the most noteworthy issues affecting our species, and rather than give us the answers—which, of course, he doesn’t have—encourages us to chew on these questions for ourselves. In this he has succeeded.
A review of String Bridge by Jessica Bell
Above all, this is a novel about music. Music drives the plot as Melody’s desire for music becomes the motivating catalyst for change in her life. Her guitar and voice underpin the narrative in all sorts of ways, from the songs that open each chapter, to the lullabyes Melody sings for her daughter to the musical career she attempts to resurrect.
A review of Land’s Edge by Tim Winton
Throughout the book, and deftly woven into the narrative structure, Winton poses a number of serious questions. Why are we drawn to the sea, and what is its importance to us? How, in Australia, is the psychological importance of the sea shaped by the predominance of desert? What is our responsibility towards the sea as it changes? How is the sea’s danger to humans—its wild untameability, part of the way we relate to it?
A review of A Family Matter by Will Eisner
Will Eisner was still working very much at the top of his game when he wrote and drew this comic, which was originally published in 1998, when he had just turned 80. With a deft, masterly touch he conveys character and compels the story forward too; all at once.
Childhood, Family, School, and Personal Will: David Mitchell’s novel Black Swan Green
In Black Swan Green Jason realizes that he contains different personalities but can, through his choices, through facing the truth and taking a stand, determine what his own fundamental character will be.
A review of What happened to Joseph? by T.A.G. Hungerford
Working through the almost intensely Australia flora and fauna are memory, nostalgia, mateship, war and its aftermath – the civilian life that follows, and hope. There are poems and stories that simultaneously celebrate and mourn the aging process, poems and stories that look at the nature of relationships, love, the kind of hate that leads to war and genocide, loss, and the alienation that sits in all of our hearts – between civilisation and our rough animal natures.
A review of The Handmaid’s Tale by Margaret Atwood
My enjoyment of the literary feel of the book and the tension – drew me in and carried me to about a third in, when the plot began to sag with repetition and sameness. It was then I noticed the Atwood literary formula, ie never use one metaphor when two or three will do, in the same paragraph.