I really liked the smaller 20cm size of this book, which makes it easier to work with than a large size book, but it’s still large enough to make a nice gift book and present a great accompanying image for each recipe. It isn’t all savoury either. There are delicious desserts that are healthy enough for a main course, like the berry-muesli baked apples, or the homemade lime, grapefruit or blood orange sorbet.
Category: Literary Fiction Reviews
A review of Man in the Dark by Paul Auster
The book is short and sharply structured. It moves quickly and makes its points neatly. It is inescapably cold in some respects but the reader will come from it with an unforgettable experience. It is a pleasure to see a writer of such gifts – albeit sometimes uneven performance – produce a work of this quality.
A review of Birnbaum by Michael Hoffman
The twists of narrative are skillful and Hoffman sustains the interest of the reader right to the end. The conversations are real and Hoffman peoples his novel with convincing characters. He is an expert in what critics once described in the novels of Aldous Huxley as “cold agonies”.
A review of The Steele Diaries by Wendy James
The novel is easy to read and moves quickly, effortlessly creating that fictive dream that makes for a pleasurable reading experience, but this is anything but a lighthearted read. The complexities of parenting, the shifting trends of the art world, the struggle to balance self-actualisation and artistic fulfilment with responsibility and love, the way we create and define ourselves, and the relationship between the interior world and the exterior one are all covered with great subtlety and depth.
A review of Good Americans Go to Paris When They Die by Howard Waldman
There’s a spare loveliness to Waldman’s prose, infused as it is with loneliness, humour, and a deep sense of irony in the cyclical prison of our nostalgia for the past. Good Americans Go To Paris When They Die manages a delicate, and all too rare, balancing act between entertainment and introspection.
A review The Man Who made Vermeers: Unvarnishing the Legend of Master Forger Han van Meegeren by Jonathan Lopez
There’s a spare loveliness to Waldman’s prose, infused as it is with loneliness, humour, and a deep sense of irony in the cyclical prison of our nostalgia for the past. Good Americans Go To Paris When They Die manages a delicate, and all too rare, balancing act between entertainment and introspection.
A review of God of Speed by Luke Davies
Though Davies’ Hughes isn’t exactly a likable character, the intimacy is so striking and the intensity of the portrait so great that Hughes becomes someone entirely familiar. Not so much the grand aviator with all the superlatives of his status: richest, fastest, most inventive, but instead, a man like any other, pursued by demons and running hard to find a way to live through them.
A review of The New Angel by Ali Alizadeh
Bahram’s is the voice of the newly-arrived immigrant, misunderstood and always alien, at home neither in the country he has come from nor the one he now inhabits. Such people are becoming increasingly common in our globalised society, and their outsider voices need to be heard and heeded if the notion of a ‘global village’ is to ever become a reality.
A review of Tumbuktu by Paul Auster
The overriding desire for meaning beyond this short life is one which infuses the book, but Auster never allows a human narrative voice to interfere with Mr Bones’ perspective. Clever, funny, lighthearted and serious all at the same time, this is a stylistic departure for Paul Auster which nonetheless makes full use of his gifts.
A review of Can You Forgive Her by Anthony Trollope
It is the first book in the Palliser series, so that if you want to tackle this one of Trollope’s two novel-sets, you should start here. And it is a probing and sensitive study of a woman struggling to find her own way, in a society where this was really unheard of, and where it took much more of a battle than it would today.