I believe this is an important Australian novel which addresses the contemporary dilemma of the asylum seeker. The novel comes at a time when the refugee issue is transforming from one of a (frustrating, on my part) general apathy towards ‘queue-jumpers’ around the time of the SIEVX to a burgeoning collective empathy (perhaps guilt) towards refugees genuinely seeking asylum in this country.
Category: Literary Fiction Reviews
A review of The Sonnet Lover by Carol Goodman
The Sonnet Lover is tightly plotted and skilfully executed, and would appeal particularly to lovers of literary sleuthing and academic intrigue, courtly poetry, Shakespeare’s sonnets, Venice and Florence, and readers familiar with the political wranglings that go on behind closed doors in universities.
A review of The Blood of Flowers by Anita Amirrezvani
Although this is a young woman’s story, it would be wrong to paint it as a ‘feminist narrative’. The strictures of life for women of strict Muslim cultures are well-known, but the author’s goal does not seem so much to point out the unfairness of the culture as to paint a portrait of a memorable and believable individual who learns how to prosper within these strictures – in other words this is an example of, in Joseph Campbell’s words, ‘a hero’s journey’.
A review of El Dorado by Dorothy Porter
Once again, Porter succeeds in that impossible juggling act of narrative and poetry. Even for the most casual of reader, El Dorado reads easily as a fast paced, intense and psychologically satisfying thriller. For those who want more than simply a quick escape, El Dorado explores complex topics of childhood innocence and guilt; love and hatred; desire and psychosis with the kind of taut intensity that only poetry can provide.
A review of Take a Breath & Hold It by Michael de Valle
Take a Breath & Hold It is a book which doesn’t flinch from life’s blackest, most feared experiences. It faces them head-on, and there are no euphemisms. Death, insanity, jealousy and fear are ever present, in every story, as in every life, and they feel as bad as always. But along with all of that, and even at its lowest ebb, there is still beauty everywhere in this collection.
A review of Landing by Emma Donoghue
The description of modern Dublin is good and it is a pleasure to read an author who is not afraid to take us to Stonybatter or Trinity as naturally as an American novelist would take us to Halstead Street or the Bronx. The reticence of some Irish writers about specific locations can be exasperating.
A review of The Ministry of Fear by Graham Greene
As a feat of storytelling, though, The Ministry of Fear is both instructive (e.g. for the way certain significant events happen “off-stage” and the way in which certain characters – Prentice being one – act as a lodestone or lightening rod for the emotional force of the story) and impressive. This is a minor work, then, but a novel with its own strengths and satisfactions; and it is an interesting precursor of much of what was to follow.
A review of You Don’t Love Me Yet by Jonathan Lethem
Under the fury and passion individual characters disappear. Motivations become subterranean and capricious. The book becomes plastic elastic where anything can happen. It is unforgivably extravagant to base so much of the book on the encounters of two sweaty bodies.
A review of Every Move You Make by David Malouf
Although “The Domestic Cantata” is the most complex and extraordinary of the stories in this collection, all of the stories are set off by Malouf’s clear love of life that underpins the work. The plots move easily and the characters all develop forward, but it is the collective meaning created by the glimpse at something that goes beyond the prose that builds these stories that makes them so remarkable. This is a not to be missed collection of stories that are as important as they are pleasurable.
A review of The Seventh Candidate by Howard Waldman
This is a bleak book which ends on a barely qualified note of endurance persisting over adversity. It is a competently written book with vivid characterizations. Waldman’s skill in depiction of the desperate straits of a forlorn man and woman is compelling and carries the reader from beginning to end effortlessly.