The one topic that all our storytellers weigh in on is the concept of home. What does “home” mean to them? About half the writers say that America is now their home; the other half claims the land of their birth. It is always the last segment of the teller’s tale, a summing up, and the logic each writer uses to make their decision is always compelling.
There is so much about the human condition that is illuminated here in these beautifully written pieces. Wright takes the painful, the personal and the often unbearable frailty of life, and expands it so that the work becomes a celebration of being alive, of human resilience and of the beauty of the everyday.
Jeff Herman’s iconic Guide to Book Publishers, Editors and Literary Agents is a well-respected industry standard, much like Writers Market. Now in its 28th Edition, the Guide enjoys continued acclaim and popularity—and there is a good reason for this. Flatly stated, it’s just the one of the best, if not the best, of many (many!) writers’ guides out there.
Huets has done an immense amount of research to show America’s bard in his own time. Photographs, nineteenth century American landscape paintings, handwritten excerpts from Whitman’s notebooks, quotations from his poetry and from his contemporaries’ writing make the book reader-friendly.
The book is easy to follow, and is well-structured, moving smoothly from novel ideation through planning, character development, point of view, dialogue, plotting, conflict, dealing with tie, pace, setting and genre. Though the book is practically oriented, Skinner doesn’t dumb down the complexity of novel writing, or suggest, as many how-to books do, that it can be done quickly and painlessly.
There’s a definite sense that Miranda really wants to make everyone feel a little bit better about themselves, and though this book won’t be for everyone, it will appeal to young people in need of a hug. Each affirmation in fact feels a bit like a hug.
America: the Farewell Tour is an impressive book. Readers who lack a background in economics but are troubled with what is going on in the world will be absorbed in his analysis. Hedges is no academic pronouncing from an ivory tower, but a reporter who has gone out among the victims of global capitalism to gather information.
Frankopan must have had great publishers. Aside from the aesthetically pleasing cover design with sumptuous Islamic floral and geometric patterns overlaid with gold lettering, the selling point of the book is its ambitious thesis: to reposition the centre of the world and repatriate the influence that Eastern regions have had on global events. The book is undoubtedly a titan effort in scholarship.
As a self-professed “agnostic protestant”, Norwich claims he has “no axe to grind”; he steers clear of theology and achieves a style which is anecdotal, witty, and irreverent. A story less sacred than profane, he relishes with morbid fascination the unpleasant details of the institution’s sinners, while displaying undisguised admiration for its saints.
Throughout the later chapters of Rise, VanZant takes readers on the rollercoaster of her professional career. From the incredible flying head kick finish of Bec Rawlings to her famous defeat at the hands of Michelle Waterson in the main event of UFC on Fox 22, we see her excitement and disappointment at various moments in her career. No matter if she’s sharing the highs or lows, it is impossible to read these reminiscences without rooting for her every inch of the way.