Davis expertly controls the narrative threads of their day-to-day reality while explaining what inspires her to write. Further into the book, these intimate details open up into a wider scope of the connection between life and art. She accomplishes this without appropriating the grief of the families with murdered children, instead Nail in the Tree tells how Davis’ life became what it is.
Having travelled the distance that Giggs takes us in Fathoms, it seems obvious that there is no choice: “Each of us now sharpens the focus dial on the future of the ocean, of the weather, of the whales and their kin.” Fathoms is a glorious, beautiful and deeply important book.
Emily Dickinson, in particular, comes across with such a delicacy and radiance that we begin to understand and sympathise with the odd recluse whose great love lasts a lifetime, and whose poetic work has not only been the beginnings of the modernist movement in poetry, but also an ongoing inspiration.
Redhouse is an exceptional science writer, and her research is extensive, making connections, incorporating anecdotes both personal and as part of her research, so that the overall effect is engaging, open-minded, informative and powerful. The hybrid effect allows for multiple perspectives that remain open-ended rather than didactic.
Pemper has an impressive command of language, a necessary skill for creating a sense of place in what could easily be a generic theatre of war. In a perfect analogy for the social upheaval, the wheels of Peter’s truck are seen brushing the edge of the abyss at a cliffs edge during the journey. The remnants of a destructive landslide hinder the way forward on the road they travel. Woven into the background details is this lingering sense of danger and disturbance. It feels precarious.
Axiomatic is a gorgeous, difficult and extraordinary book that demands deep engagement from the reader. Tumarkin’s humility, dark humour, scholarship, and above all, the empathy with which she connects her own experience to that of her subjects and ultimately to that of the reader creates a tapestry that is moving, powerful, and important. This is a book that seeps under the skin, changing perception. It’s vital reading.
Having lived in Wyoming for the past four years, reading it was verification for what I see, experience, and find problems with, constantly. I have often thought that Wyoming’s undeserving motto is a farce in comparison with its laws, policies, priorities, and politicians. And here was a Wyoming woman who lived, captured, and published the cruel reality of being a minority in this state with so much detail, accuracy, and innocence.
Though the topic of Food or War is inherently uncomfortable, the book is beautifully written, wide-reaching in its scope, intelligently presented with detailed and careful evidence. Cribb writes eloquently about complex, and in many cases poorly understood, topics.
We cannot currently survive in this world without agriculture–our food needs are dependent on farmers, but we all know that our food system must change quickly, if humans (and other creatures) are to survive as a race. As both scientist and farmer, Patrice Newell understands this conundrum all too well.
There is a great warmth and sincerity embedded within this memoir, mixed in with gentle humour, discussions of complex research on genetics, birth, death, siblings, parents, family, Greek culture, love. The genesis of the story arises from a secret, one of the biggest secrets a person can have revealed to them, that of their true origins.