The latest Collins Australian Dictionary is a beauty and has everything you want in a dictionary. It’s both ultra-modern and classic; big in scope and size, but still fits on the bookshelf; attractive but not the slightest bit obsequious; serious but with its nod to lingo and mediaspeak, still fun. If you don’t already have a major dictionary reference tool, this is an exceptional one, and though not cheap, an excellent investment.
When it comes to the virtual book tour, Red Hot Internet Publicity really shines. Sansevieri has been running virtual book tours for authors for a few years now, and although her services aren’t inexpensive (she’s got plenty of inside knowledge which makes the tours effective), this book is.
Lewis is a compassionate, clear-headed witness to heartrending tragedy, but there are many moments of irony and humour here as well. There is plenty of poverty, horror and suffering in these pages; yet there is resilience too. People survive.
Although the book remains positive and celebrative of the joy that family life can bring, Fraser certainly doesn’t sugar coat it or suggest, at any point, that parenting is an easy thing. Instead, she provides funny anecdotes that most parents will readily relate to, and may also learn something from.
The book is easy and fast to read, and is neatly structured so it can be used as an ongoing reference, especially for some of the recipes like cleaning products, home-made cosmetics, and craft items like play-dough and beads. Debt free, Ca$hed up, and Laughing is a fun, enjoyable book to read which could make a real difference in the kind of lifestyle you have.
Nuttall uses wit and personal recollections to illuminate his text. The result is lively and relaxed although he makes no concessions to difficulties. His explanations are cogent and full. As a book by a writer worth reading for his own sake and as one of the dozen books that any reader of Shakespeare should have, this is not only an essential book, it is a delight.
The Quiet is an easy to read book which steers clear of too much dogma and focuses instead on helping readers achieve their own sense of calm. It is written in simple plain language on nice matt recycled paper, with attractive turquoise diagrams.
This book dwells necessarily on the Bloomsbury group, a subject of so many books that saturation impairs the urgency of its interest, but she surmounts this as much as possible by an emphasis on Woolf. She has written a model of what good literary criticism should be. This is an excellent book to add to the collection of any reader who requires a useful and intriguing book on a fascinating but often elusive writer.
Dawkins is such a clear thinking scientist that he manages, through analogy, metaphor, logical argument, and example to make his points with the kind of clarity that religious theologians rarely reach. This book is a joy to read, and never gets dry or terse. Instead Dawkins’ good humour and sense of humanistic pleasure in science and discovery are constantly evident.
Overall, Gourevitch’s hope that these interviews will stand “if not as definitive portraits of each artist, then as a significant contribution to such an ultimate portrait, with the added fascination that they are in large measure self-portraits” has been, on my reading, largely fulfilled.