Light and hope seems to play like a continual refrain through Maggie Walsh’s Sunset. Though these are poems that reflect the hardship and suffering that Walsh has experienced, they are never dark; never dour. Always there is an appreciation of the natural beauty, and a kind of joyousness that comes from sensation and perception in the face of racism, the grief that goes with being separated from home and family, and of feeling different.
Perhaps, by working on the atomic bomb, Heisenberg undermines the beauty he lives for; Ferrari refuses to let judgement be the last word. Instead, he tells a story, not unlike a letter, the overall effect of which is a sweeping, panoramic view of both the internal workings of one’s soul, as well as the wide scope of science in modern history, in short, the quantum effect.
The writing is exquisite, poetic, and very detailed. Mahood’s observations are often minute explorations: a delicate rock formation, the texture of a rope, the sound of grass crunching under the feet, a sunrise, the smell of cooking, or an empathic exploration of a companion’s discomfort. Though Position Doubtful is sophisticated, charged as it is by ethical considerations, the political impact of government policy, and a deep-seated understanding – both visceral and intellectual – of the ethics of colonial occupation, power struggles, and feminist discourse, it’s also a personal journey and deeply moving.
Kendi wisely narrowed the scope of his book by telling the stories of five exceptional American leaders who greatly influenced the progression, side by side, of racist ideas through segregationists, assimilationists, and antiracists throughout America’s entire history. These Americans are the minister Cotton Mather, Pres. Thomas Jefferson, politician William Lloyd Garrison, writer W.E.B. Du Bois, and antiracist activist Angela Davis.
Out from Calaboose is an ambitious work, rich with mythology, politics, ecology, and psychology. The book moves through darkness and light, trauma, loss, desire, pain, but also, and always, leaning towards freedom from these things. One gets the sense that this freedom lies almost entirely in the power of words – the poems themselves are the keys.
It is rare when we can call a poetry book a “page turner” in the sense of a drama or mystery, but in his remarkable new work, Miriam’s Book: A Poem, Harold Schweizer accomplishes just that. The connective tissue of each chapter, organized as in a novel, propels us forward with anticipation and curiosity.
Hope Farm is an exquisite and powerful book that explores the gaps between desire, societal norms, and love, loss, and memory. Both Silver and Ishtar’s story is deeply affecting, and as full of beauty as it is of verisimilitude.
The language is silky and seductive and as a reader I was drawn in, drifting about like a leaf in a stream taking in sights, sounds and feelings. Lucy Durneen leaves the door open to her mind and as the pages pass I’m looking out of her eyes focusing and feeling the world as she describes and experiences it.
I am a firm believer in craft and study. We can all benefit from workshops, retreats, formal and informal study, as well as constructive criticism from our peers. Magnesium is not a bad book, it’s Ray Buckley’s book. Perhaps, Buckley would have given this reader a different experience had he focused on developing each poem and letting the reader in.
Bell’s first (and possibly not last) memoir is a well-written, fast paced, and engaging read that chronicles Bell’s extensive struggles with depression, with being the child of two semi-famous gothic musicians, years of coping with her mother’s drug addiction, and the ongoing battle to maintain self-esteem against an inverse of Snow White’s evil queen’s mirror on the wall – the “reflection” of the title.