Not only do Freese and I concur on how a psychotherapist best engages with a client, but our approach to writing books also bisects. I too write to try to understand myself, indeed without outlines or a rigid plot structure. I daresay he would nod eagerly in understanding that your characters, given the chance, tell the story for you if you’ll listen to them, and in a more honest, exciting way.
Whitford effortlessly interacts her characters along with their assorted baggage across many oceans and towards the inevitable discovery of their mother’s past. Along the way a realistic account is set within these families’ boundaries and excellently detailing every aspect of domestic interaction. But what about this secret? I’m not impatient, just tantalised and compelled to find out. Chapter 13 draws me into Whitford’s net and from now on my curiosity holds no limits as now the story darkens.
Discourse between the characters is credible, believable and plausible as the girls wrangle among themselves, tussle with Aunt Tallulah and seemingly snag setups, circumstances and explanations out of the air to describe what is happening. Heusler’s capability for portrayal, scene setting and elucidation serves her well, The reader is drawn right into settings: we see the frightening, feel the cold, and taste the bitterness. The storyline is well plotted, moves along from first pages to final paragraphs without problem, and culminates with a satisfying conclusion.
Perhaps the cover says it all? Yes, you can begin to judge this particular book by its cover because inside and throughout all those white pages a hurricane is at work endeavouring to yank everything of life’s rationalizations into shards of disbelief.
I love me a good psychological thriller and that’s what we get with Broken Branches by M. Jonathan Lee, with a little visual horror thrown in. When it opens up we are treated to several pages introducing us to the malignant presence of a towering sycamore tree with bony branches scratching the farmhouse’s roof, walls and windows like a demon’s fingers.
Morrigan is an empathetic character with just the right combination of pluck and humility, and her increasing awareness of the importance of friendship, and of her growing sense of self-discovery is a subplot that drives the narrative forward, along with the competition trials and Morrigan’s desperation to find her gift.
At the end of “Turtle Island Turtle Rattle”, author Sarah Xerar Murphy writes, “If we cannot find a way to welcome and treat fairly with the stranger, how will we ever find our own way home?”It would be a good thing if there were more books like Three Nations Anthology, to highlight things that human beings have in common
The facts are engaging enough as a history, but Alizadeh’s portrait of a young women in love, coupled with his exploration of the patriarchal, uncertain nature of both historical account and memory (“Or does she?”) takes this story to a new level. Alizadeh’s Jeanne allows for the contradictions in the varied voices that are both inside and outside of his subject and also calls attention to the fact that narrative is something that is constructed rather than something inherent.
Interweavings rings a perspective that prompts readers to go beyond an interpretation of Smallwood’s stories as descriptive pieces, to a body of work that provides a faceted look at the small moments of life that communicates deeper meanings and speaks to experiences Smallwood narrates from her reflections across her lifetime.
With great writing skill Brian Falkner uses simple but effective language to continue the exploration of human emotions throughout the book. Some of his stories are sad, some quite dark and one or two almost funny but at the turn of each page the reader feels a tugging of the heartstrings, or worse, something delving into the mind stirring up those repressed feelings that nobody wants to talk about.