Many of the poems in the collection challenge the identity of the object in question. A loaf of bread becomes spies wearing raincoats, soap becomes dirty, and maps become the very cause of being lost. The dichotomous nature of the writing allows one to ponder about how the identity of something changes as it finishes its assigned purpose.
Dimitris Lyacos’ Z213: EXIT is a revelation. A masterpiece. Distinctly postmodern yet entirely unclassifiable, it is everything and nothing all at once. Despite the myriad references to literature, it is entirely new – I have never read anything like it, and this stunning translation is truly head-spinning.
This selection of short stories concluding with the major work “Datsunland” is beautifully written by a literary craftsman. They take the reader through and within the landscape of South Australia’s unique ecosystem, into places tinged and contaminated with saturnine and fateful conclusions. As I searched through the pages I found myself trapped within a boiled down distillation of this state’s home-style miseries and heartbreaks.
Novels about girlhood friends reuniting as adults and reinventing their relationship are always popular. In The Book Shop at Water’s End by Patti Callahan Henry, the “summer sisters” are Bonny and Lainey, now in their fifties, who have kept in touch since their three pre-teen summers at Watersend, South Carolina, in the 1970s. As the story opens, Bonny is about to leave her domineering husband and her job as an Emergency Room doctor in Charleston, SC for a better position in Atlanta, GA.
Carol Smallwood has the talent of making scientific concepts artistic. Her previously published poetry collection In Hubble’s Shadow also deals with science and the mysteries of the universe. Her writing includes a unique combination of traditional poems along with contemporary creations.
It’s invariably true that Herriot’s animal stories ended happily, as she notes. Her stories, well, invariably do not. They resist a chipper ending and, indeed, conspire to break her heart. Being a veterinary student certainly is no picnic for her, but when she’s finally graduated and chosen to set up her practice, the life still is no picnic. Not that Wheeler wishes it was! Her last words confess that she’ll look for another line of work if she ever stops struggling to save suffering animals in her care.
Suggestions that the original Paul was getting a little too big for his britches, that his interests were veering into subversive areas and that he was considering using his notoriety and influence to confront some of the bedrock pretenses of the world he lived in, abound on internet forums devoted to this topic. Perhaps one day even this stunning tome will be superseded by yet another more revelatory dissertation that tells the whole truth. It could well be that a still more unimaginable, mind-blowing story is waiting in the wings.
Spann effortlessly brings us into Hiro’s world of both violence and grace where katana swords and ritual burial armor coexist with the intricate art of flower arranging. The details reflect rigorous research, down to the measure of a room based on the number of tatami mats and the cadence of the characters’ speech. You can almost smell the cherry blossoms.
Government and Canadian Pacific Railway officials (all men), subscribed to the myths that women lacked the technological and physical ability to farm successfully. In practice, wives and daughters of homesteaders frequently performed hard physical toil and operated machinery. Carter’s study uncovered many women who farmed and ranched, some quite successfully.
Miller, the “writing whisperer” as Jessica Rowe puts it, has created a vital guide to memoir and other forms of creative nonfiction. Though there are many how-to guides on the market, this one is special, both for its depth of wisdom – Miller has over 26 years of experience in teaching others how to write creative nonfiction, as well as her own experience as a nonfiction author/memoirist – and for the simplicity and practicality of its approach.