Inspired by these true events and the impact on his life, author David Sklar—an emergency physician, researcher, and professor—writes from the heart and the mind with a broad scope as he tells his story. The author states that he too was subjected to the nude photography and somatotyping as part of a so-called research project while a student at an elite New Hampshire prep school.
The eleven stories in Jendi Reiter’s collection, An Incomplete List of my Wishes are innovative in both form and content. Reiter depicts fraught human relationships with insight and hope, showing many survivors of violence going on with their lives.
Blanchard consistently displays an ease with poems in both short and long form and reveals a practiced command of nuanced phrasing, versification, and evocative imagery. While the works might be somewhat more formal in style than those of many of his contemporaries, there is no dominant or predetermined verse form here.
With its keen eye and impeccable phrasing, Lisa Bellamy’s The Northway gives us good-natured laughter, the kind of feeling you get from a Masterpiece Theater series…and it is ever so much more respectable and rewarding than a binge-watch.
There is a great deal of talk about ‘the big picture’ in Crowd of One, a metaphor frequently used to make the ends justify the means and enable a megalomaniac’s vision to outweigh a world of suffering.
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It is entertaining for anyone familiar with the works it lovingly skewers (note the culinary metaphor) and it is strangely compelling even if, like me, you haven’t read Conrad for a long time. It is quietly witty and also serious. It manages to borrow something of the gravitas of Conrad’s novel and – like all good parody – it makes you want to return to the original for a fresh look.
The poetry manages to be both pithy and almost hysterically funny, not an easy mix to achieve, but that is how life works: the paradox of what we carry and what we experience in each moment. Whitlock captures this duality perfectly, taking a stand-up comedian’s incision to pretension and human foibles.
It is impressive the ability of Sommer to fragment the narrative when we encounter Sofia’s visits to the psychiatrist. We read about her participation in Milongas, asking relatives about her past, and about love and its many facets. All of these interspersed with poetic descriptions of place. Sydneysiders will recognise many areas of the Eastern suburbs in Sommer’s vivid imagery.
As dementia begins to rob an already private and absentminded man of his memories, Michael becomes set on reconstructing his father’s childhood from recordings, news articles, and his father’s own accounts, in a journey to understand what had crafted his father into the man he is, and how that has formed Michael himself.