The story line travelled along at a comfortable trot, characters make their introductions and the chapters were just the perfect length to hold my interest, and before I knew it, a couple of hundred of pages had quickly passed by. Was this The Great Gatsby meets Alistair Crowley? Wrong again. Eye of the Moon is a classic gothic tale flawlessly composed with the author’s persona that is evident on every page.
Anyone who thinks of poetry as a hermetic art form has not read Jennifer Maiden. A keen and articulate observer of current affairs and trends, Maiden’s work explores a political and sociological landscape through the lens of poetic vision. This analysis takes many forms, often in multi-genred pieces that transcend essay, fiction, biography and poetry. In spite of the mixed literary forms, there is a consistency in characters, themes, and in approaches across Maiden’s oeuvre that makes for an accumulative effect.
Sloan’s characters are from various walks of life: an art dealer, a sculptor, a soldier, a convenience store clerk, a female prize fighter and several disillusioned mothers. Bullying, dishonest superiors, exploitative friends, devoted friends, women who love too much, and the darker side of parent-child relationships are examined in this collection
Ranging from downtrodden pensioners to wealthy villa owners to ineptly corrupt bureaucrats, Leon’s secondary characters lead Brunetti through complex situations imbued with Italian history and passion, but often tainted by modern Italy’s ineffectual political system.
The Writing In Uncertain Times event at The Wollongong Writers Festival featured an amazing panel of commissioning editor for PRH, Lex Hirst, rapper and poet Omar Musa, author and screenwriter, Amal Awad and debut novelist, Daniel Findlay. The event concluded to this year’s festival and author, reviewer and interviewer Samuel Elliot was there to cover it.
Lives in these stories never turn out as expected, but they do have the accomplish, the finish, of a life that feels real; sometimes to the point of unbearable pain. Whether it be an old friend that the protagonist bumps into that he can’t connect with, or a father whom he wishes not to be similar to in anyway, for his lack of power, these characters resonate with the human flicker of reality; the chaos that lurks behind the ordinary lives of strangers.
Fitzmaurice wrote with the sensibility of a filmmaker. He blends past recollections, present conditions and future possibilities in a moving kaleidoscope of connectivity regarding one’s influences, hopes and realities that seems always to be present instead of distant and reflective.
All poems are reflective of universal human experiences. The poems are short and uncomplicated. Mirsadeghi shares poems on self and eros love, friendship, sadness, longing, pain, heartbreak, and healing. Some of the poems are heart wrenching. I heard a desperate plea for love’s understanding and reciprocity. The reader is invited to share in this heartache and sadness.
It’s hard to think of Sakr as an emerging voice – his work seems to have been everywhere over the past few years. The work in These Wild Houses has such a strong sense of assurance. This is an impressive and very moving collection that not only explores the important terrains of both everyday and institutional racism, the migrant experience, identity politics, trauma and grief, but that also presents a deeply personal and moving story that very deliberately draws the reader in and invites collusion and connection.
In the manner of Dorien Grey and his Dick Hardesty series, Aterovis has crafted a group of characters who are very credible. From the imperious homophobic father, the demoralized mother and on to the optimistic girlfriend, as well as each of the other actors in this work; the individuals are not always likeable. They are, however, plausible, well-fleshed and convincing.