Category: Book Reviews

Book Reviews

A review of Ordinary Time by Audrey Molloy and Anthony Lawrence

One poet has a ‘time travel machine’ which takes him/her through past and present the other poet writes ethereal intense beautiful words. As I read each poem my mind struggled trying to decide who is he and who is she. I read a few lines and decided, yes this was written by Lawrence, then I read a few more lines and I decided no it was written by Molloy. Finally, I gave up and decided that beautiful poetry does not need a ‘gender’.

A review of Fugitive by Simon Tedeschi

Fugitive is a moving and thought-provoking book. It is pithy and at times, funny, full of minor transgressions, extensive scholarship, music and yes, poetry. There is so much compacted into each of these small pieces and yet Fugitives is airy, with enough space to encompass contradiction, breath and above all, silence, another recurring theme.

A review of Milk cans & cornflowers by Ken Smith

The poems in Ken Smith’s collection, Milk cans & cornflowers, show a love of language that rises above workmanlike prose. The author lets readers experience walks along the St. Lawrence River; shares some of his past, points out striking objects or phenomena, and acknowledges the importance of family, including the “family” of great poets and writers of the past.

A review of Earlier by Sasha Frere-Jones

I also really wished that that was going to create a clearing in the critical discourse in which I could discuss the Situationists, among other Francophile souvenirs I’ve collected over the years.  Afterall, “Greil Marcus, Lipstick Traces” is the last bit of language on the back cover.  Possibility of a backdoor? 

A review of Strange Meadowlark by Michael Simms

The music of the poems is suffused by a nuance of idiosyncrasies that leaves one having to learn how to read them, stopping and starting occasionally. But these reveal themselves as integral to the themes. For instance, there’s a conspicuous absence of periods.

A review of Edith Wharton’s The House of Mirth

As a protagonist, Lily is not easy to love. She isn’t down to earth and feisty like a Jane Austen heroine or destitute and virtuous like one of Thomas Hardy’s. She is vain, materialistic, and small-minded. She obsesses over clothes, incomes, and table settings, and is cruel to the friends whose modest means render them socially useless to her.

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A review of Bleedings by Gabriele Tinti

Poetry is this ability to transcend, to cross through the masks that feed the comedy, living bulimically on illusions; it is looking beyond what appears, entering the shadow, listening to the unspeakable until the original silence while keeping the wound always open because we need to be there, close to the blade,/ at the mercy of pain, letting that blood, which is life, flow. Hence, bleeding as an opening, as the only possibility of existence.