Carol Smallwood has the talent of making scientific concepts artistic. Her previously published poetry collection In Hubble’s Shadow also deals with science and the mysteries of the universe. Her writing includes a unique combination of traditional poems along with contemporary creations.
It’s invariably true that Herriot’s animal stories ended happily, as she notes. Her stories, well, invariably do not. They resist a chipper ending and, indeed, conspire to break her heart. Being a veterinary student certainly is no picnic for her, but when she’s finally graduated and chosen to set up her practice, the life still is no picnic. Not that Wheeler wishes it was! Her last words confess that she’ll look for another line of work if she ever stops struggling to save suffering animals in her care.
Suggestions that the original Paul was getting a little too big for his britches, that his interests were veering into subversive areas and that he was considering using his notoriety and influence to confront some of the bedrock pretenses of the world he lived in, abound on internet forums devoted to this topic. Perhaps one day even this stunning tome will be superseded by yet another more revelatory dissertation that tells the whole truth. It could well be that a still more unimaginable, mind-blowing story is waiting in the wings.
Spann effortlessly brings us into Hiro’s world of both violence and grace where katana swords and ritual burial armor coexist with the intricate art of flower arranging. The details reflect rigorous research, down to the measure of a room based on the number of tatami mats and the cadence of the characters’ speech. You can almost smell the cherry blossoms.
Government and Canadian Pacific Railway officials (all men), subscribed to the myths that women lacked the technological and physical ability to farm successfully. In practice, wives and daughters of homesteaders frequently performed hard physical toil and operated machinery. Carter’s study uncovered many women who farmed and ranched, some quite successfully.
Miller, the “writing whisperer” as Jessica Rowe puts it, has created a vital guide to memoir and other forms of creative nonfiction. Though there are many how-to guides on the market, this one is special, both for its depth of wisdom – Miller has over 26 years of experience in teaching others how to write creative nonfiction, as well as her own experience as a nonfiction author/memoirist – and for the simplicity and practicality of its approach.
The book is wonderfully informed by multiple metaphorical depictions of our inner and outer struggles. Young Marcus loses his mother, his only parent, and goes to live with his eccentric and spiritually bruised great Aunt Charlotte on a small island in South Carolina at the beginning of the summer. Aunt Charlotte has past wounds that haunt her, rendering her a reclusive but renowned local painter.
I found Bruce’s fascinating book packed full of information, statistics, photographs, and historical accounts His style is relaxed and friendly. Enormous amounts of facts are delivered in a pleasant and easy to read delivery, that carries the engrossed booklover from chapter to preceding chapter at an unexpected rate of pace. This is entertaining and informative reading at its best.
n Propaganda and Persuasion, Canadian historian Jennifer Anderson explores the origins, activities and impact of the Canadian Soviet Friendship Society, a Cold War organization that existed from 1949 to 1960). As a high school student, Anderson became interested in the Soviet Union, which had ceased to exist by the time she entered university.
Undoubtedly, it’s rather nice to think that others are toiling away while we read about them, and the similarities and differences with our own working lives emerge with unusual clarity: occupations do not have to be exotic or abstruse for us to find them fascinating. An Accidental Profession is all about work: its organization and administration, what it does to people, the power of the corporation, our ambivalent relationships with our co-workers.