Don’t let these details slip by you. The ways that time and war shape language and geography run parallel to the way that the human soul transmigrates; and they shape the identity of the beings that are geboren and gestorben (38) there.
The dinners sound sumptuous, and it’s easy to imagine the environment in which the work would have been read: full of laughter, shared moments of intensity, and of a deep-seated acceptance of the differences that make us unique, interesting, and yet connect us to one another.
It takes courage to decide to live and share ones most intimate and authentic self. Osayande’s poems are personal glimpses into his life. Collectively they are viewed by the author as bizarre, beautiful and tragic. Relationships, loving and life can be complex and present as a compilation of these.
One distinguishing feature of this collection may not be noticed by the reader right away, and that is it is not a collection constructed linearly. Unlike so many poetry collections, it is not a series of poems building to a point. It is, rather, as its title suggests, a poetry of juxtaposed conditions or states.
Where the Lost Things Go is a powerful book. The immediate accessibility of the poetry does not diminish the impact of the work, which moves through key moments in life, tracking grief, loss, ageing, parenting, and what it means to take a stance in a world where the need for compassion as a political gesture–deep-seated humanism–is greater than it has ever been.
The title emphasizes the orthogonal relationship between the ever-presence of a loved one in presence and in absence. Almost as if love itself is a kind of eu-trauma. A poetics that attempts to grasp the complexity of loving as, with, and through trauma.
Blanchard consistently displays an ease with poems in both short and long form and reveals a practiced command of nuanced phrasing, versification, and evocative imagery. While the works might be somewhat more formal in style than those of many of his contemporaries, there is no dominant or predetermined verse form here.
With its keen eye and impeccable phrasing, Lisa Bellamy’s The Northway gives us good-natured laughter, the kind of feeling you get from a Masterpiece Theater series…and it is ever so much more respectable and rewarding than a binge-watch.
The poetry manages to be both pithy and almost hysterically funny, not an easy mix to achieve, but that is how life works: the paradox of what we carry and what we experience in each moment. Whitlock captures this duality perfectly, taking a stand-up comedian’s incision to pretension and human foibles.
The aforementioned exuberance comes with the author’s novel treatment of the everyday—those ordinary, mundane tasks and chores we take for granted. Who would think to write a pantoum about dishwashing liquid? Yet Smallwood carries it off, and braids colloquial language with scientific. She assumes a persona the reader can identify with.