Despite the above quibbles, I wouldn’t hesitate in recommending A Miracle of Rare Design because it really is an imaginative adventure that demonstrates beautifully how gods are made. It’s a story that highlights all that it means to be human. It’s a story of hunger, and need and hope—and it’s a story of one man’s obsessive quest to have it all.
We are all simply cogs in a global machine, and nowhere is this more apparent than in Cog. At first glimpse it is a somewhat ordinary story of revenge, greed and power set against a futuristic backdrop. And yes, at its core, Cog is a classic story of family dysfunction with some James Bond-esque thrills and rather groovy technology thrown in.
An outer space adventure by a motley crew of mixed ages and a cat, all curious about a hole beyond the moon’s orbit.
Underlying the whole tale is a question about the rights of individuals and the prejudice people may have about certain groups. It also shows how prejudice is often a result of our preconceived ideas about how people within a certain group behave without really going out and finding out the truth.
When a retired teacher looks after his young grandson, he discovers more than mysterious cones on the beach. The two of them find their deficiencies counterbalance each other making their loving relationship able to combat menacing phenomenon.
There are many other Nayman hilarities. The sentient kitchen, for example, is so possessive that if a human tries to boil an egg ‘it turns the heat up so much you could melt a pavement.’ Science too gets the treatment.…
The balance between character development and plot progression is managed smoothly, along with the thematics, which take the reader through a series of all-too-believable scenarios, chillingly showing how easy it would be for an advanced group of aliens to undermine the human race and have us destroy one another, without the need for any additional weapons or warfare.
Mike French’s Blue Friday is a science fiction that draws on George Orwell’s 1984 to show a society gone mad. Though written in a light-hearted farcical way, the novel takes a hard look at state sanctioned control and the way in which it perverts even the most humanistic of subjects (such as work-life balance and “family values”).
It’s nothing like the aching devastation witnessed in Cormac McCarthy’s The Road—to some extent it’s still life as usual in dust-choked Pueblo—but The Bird Saviors might well depict the early days of Cormac’s bleak and terminal catastrophe.