Despite the rapid pace at which I tore through this novel—it was just too good to put down—the actual solving of the crime is a slow, suspenseful rise and fall. Reading The Trespasser feels like playing Chutes and Ladders. I work my way towards the goal, find something exciting that lets me climb up the ladder toward the answers, then hit a snag and slide right back to the beginning,
Starr’s novel is wholly contemporary – we are in twenty first century New York, no question – but it also harks back to post-war noir and Jacobin revenge dramas of yore. Sin is indelible, so too self-delusion and self-justification. These people – Adam and Johnny, Dana the wife and Marissa the daughter – cannot become better.
The chapters alternate between Present and Past. Sometimes an event occurs in the “present” which leaves us puzzled, but it is explained in one of the next “Past” chapters. One never gets lost in these time shifts, thanks to the chapter labelling, but one is often confused. By keeping us uncertain, author E.A. Paris is making us experience something of what Grace is going through.
Someone Must Die is suspenseful and fast-paced. The mystery of what went wrong with the Lynd marriage intrigues us throughout the novel, and relates to the kidnapping. Plot twists are what keep us on the edges of our chairs, but the characters and the human story stick in our minds. Award-winning author Sharon Potts, who is prominent in the Mystery Writers of America organization, has created rounded characters whom we will remember after we close the book.
Mari Bailey has created an unnerving, roller coaster ride of a narrative for her readers. Dream Stalker is sure to draw young adult readers into the account and hold them spellbound while reading this attention-grabbing, suspense-filled page turner. Readers will find the work hard to put down as they devour passage after electrifying passage.
Salloum has excelled in evoking the Katrina disaster and in depicting a criminal sub-culture. The action keeps readers alert, and the New Orleans landmarks will interest those who lived or have visited that city. Candyland has been described as a “noir” suspense thriller, and it is that, but it is less pessimistic than Salloum’s earlier novel, Faulkner and Friends, and reaches a satisfying conclusion.
Redling’s fast-paced novel is full of well-wrought scenes, including one in which Anna’s artist father finds her colouring an outline of a Cezanne that she saw at an art museum. He flies into a rage and destroys her prized book because she is colouring rather than creating.
West is part espionage thriller, part social realism (circa late ‘70s, early ‘80s) and probably partly autobiographical as well: as a young girl, Julia Franck crossed from East to West Germany with her family. The milieu of a reception centre in West Berlin has a banal horror to it, something akin to the quality of a (childhood) nightmare. Families share rooms with strangers and sleep in bunk beds.
It worked for Gone Girl. Not to the same degree, it works for Try Not To Breathe. That’s what Seddon brings to fruition more than anything. It’s the same way her stretching into sci-fi with her short story “Graduate Schemes,” published in the dystopian anthology Broken Worlds, leans closer to squabbling than the high stakes of a truly broken world.
While Ryan hasn’t convinced me that there is no suspense in love, no love in suspense, she’s shown she’s less a muckraker than her credentials makes her out to be in her stories focused on political scandal, police corruption, and institutions which create the circumstances for felonious activities.