The world created in Hive is one run by, like any dystopian – an undesirable or corrupt government, the judge and her son who know the many secrets and mysteries of the real world which is hidden from the rest of the population. Everyone has a role, ranging from gardeners (which Hayley is a part of), engineers, doctors, kitchners, netters and many more.
Through the changing of friendships and leaderships, Ebony soon calls all the shots and organises a party celebrating All Hallows Eve. At this party a truth is revealed and now Muriel has the upper hand, leading to a tight situation for the other girls. This situation involves breaking out of a cage, breaking a door and confronting enemies.
Colin Thiele evokes strong emotions from the reader because he writes the right things at the right moments. He also has action after action, so the storyline doesn’t get boring. He creates intriguing characters, and how he describes them so well and how much emotion he puts into it really catches me.
Though Reichs’ style of writing is more simplistic than others I’ve read previously, he compensates for this by having a crazy storyline, packed with twists and turns, and changing alliances. In Nemesis, strangers join together in order to survive and friends turn on one another. Betrayal, intrigue and mystery keep the reader turning pages like a maniac.
One of the things that worked really well in Throne of Glass was the change of perspectives of characters. One minute I was reading about Celaena’s perspective of a fight she’s in, and then the next paragraph would swap to Dorian’s view of the fight. This helped the reader engage more deeply with the characters and created a better understanding of the bonds between characters and the way each character is feeling about each other during these moments.
Set in the late 1800s in England, the story follows Tessa Grey, a young American girl who has arrived in London, as she discovers the many secrets of the Shadow World which Clare has created with exquisite detail and imagery. Along the way, Tessa discovers Downworld and the supernatural creatures who belong to it including vampires, warlocks and other paranormal beings.
The narrative presents a deftly crafted tale relating the journey of a young woman who manages to face, accept and overcome what many would believe to be an impossible childhood. Periods of normalcy are interspersed with periods that are anything but normal, receiving and unexpectedly having pets given away, or left behind, left on her own way too often by both her Mother and Wolf cause Fiona to do much of the raising of herself.
The layout of the book uses an alternating overlap method of depicting each brother’s experiences and the reader easily acclimatises to this pattern. Before long you are drawn right into the surroundings and share in the understandings of three males who are set adrift without a matriarch to steer their lives.
Discourse between the characters is credible, believable and plausible as the girls wrangle among themselves, tussle with Aunt Tallulah and seemingly snag setups, circumstances and explanations out of the air to describe what is happening. Heusler’s capability for portrayal, scene setting and elucidation serves her well, The reader is drawn right into settings: we see the frightening, feel the cold, and taste the bitterness. The storyline is well plotted, moves along from first pages to final paragraphs without problem, and culminates with a satisfying conclusion.
Morrigan is an empathetic character with just the right combination of pluck and humility, and her increasing awareness of the importance of friendship, and of her growing sense of self-discovery is a subplot that drives the narrative forward, along with the competition trials and Morrigan’s desperation to find her gift.