In braiding his ruminative nonfiction with his soaring lyrical poetry, Mauch paints his 2020 in beautiful lines, hard truths, and the dual mundanity and terror of being stranded internationally as the world shut down. In writing from two Northern settings, Mauch explores what a time of rest and unrest can reveal about the human experience.
A review of The Best Minds by Jonathan Rosen
Jonathan Rosen became best friends with Michael Lauder at age ten. His outstanding new book, The Best Minds, offers an assiduously researched and compelling portrait of the man. It also raises questions about the responsibilities of friendship, and the human capacity for denial. Twenty-five years have elapsed since Lauder’s criminal unravelling, a span that has given Rosen space and time not only to research the people and ideas of this story, but to sift through his own complex feelings about Lauder and the path his life took.
A review of The Man, the Boy and the Tamarisk Tree by Tess Driver
The poet observes the world around her, creating poems from ‘moments in time’. She could be in Bali, the Serengeti or Argentina. With vivid descriptions she tells sad stories like the one about a bear in the Albanian border who was abused and starved or the elephants who will die for the ivory in their tasks. Obviously, the poet is an animal lover.
A review of Diving At The Lip of The Water by Karen Poppy
Karen Poppy doesn’t spare the reader of discomfort and grimaces when exploring her identity. She courageously uncovers the secrets of the women in her family, like one who skins the animals in the collection. However, in the last two parts, the poet shows what the healing process looks like and presents us a strong voice protected by the elegance of language, and those extraordinary Voltas at the end of poems.
A review of The Shadow Box by Jean Kent
The poetry is often epigraphed by a snippet from a letter, either from George to Jean or Jean to George, charged by its setting as the characters move from Australia through Gallipoli, Egypt, Paris, and Palestine. The result is a tender ekphrastic that utilises these artefacts: a wedding dress, a hat, diary entries, letters, or a pressed flower to bring the past into the present, connecting the generations.
A review of Breakfast in Fur by Jessica Murray
This isn’t a book that makes decisions for the reader. Murray’s knowledge and reference to other forms of art, schools, and theories is broad enough that the reader can find their own stolen moments of either appreciation or critique. But there are consequences for not having an “intermediary structure” (Murray 51) as simple as a porch that potentially shelters a wild cat.
A review of Called To Coddiwomple by Colleen Moyne
The narrative pieces are well defined and give an insight into human nature, which express an attitude towards life, a way of being in the world. Reading Called to Coddiwomple is an immersive experience which impacts on perception and empathy. The reader feels embraced by the author’s experiences, intimate as well as excited by the new life she embarks on.
A review of Places We Left Behind by Jennifer Lang
The basic plot of Places We Left Behind can be read and understood quickly, which Lang acknowledges with her handy timeline at the beginning. However, more thoughtful readings and re-readings allow for an appreciation of the full depth and grace of her journey and what it conveys about the meaning of Jewish practice and human relationships in general.
A review of The Rose Metal Press Field Guide to Graphic Literature edited by Kelcey Ervick and Tom Hart
Each essay follows the same format. The author writes about the problem or challenge that he or she wants to give insight into, whether it’s composing characters from found images (Oliver Baez Bendorf, “Released from Forms”), or how to write authentic dialogue (Mira Jacob, “”Dialogue”) or how to portray real-life characters in journalism (Josh Neufeld, “Drawing the News”).
A review of His Majesty’s Airship: The Life and Tragic Death of the World’s Largest Flying Machine by S. C. Gwynne
The book is primarily a history of airships and national pride. Throughout its pages we encounter one or another obsessive character who has a glorious vision, who is great at self-promoting, and who – all evidence to the contrary– believes he can attain the impossible. A safe, powerful, fast-moving airship. But all, all, are either building their vision upon faulty information, bad and dangerous science, and airy visions.