A review of Like to the Lark by Stuart Barnes

The poems are sinuous and sensual, working within the many constrictions and still managing to feel so light and with the strict scansion so subtle and integrated into the rhythm that you have to look closely to realise, for example, that “Persian Love Cake” is a pantoum, its innate rhythms varying slightly, in a deliciously sensual piece of dried rosebuds, green pistachios, almond praline and lemon icing.

An interview with Cindy Morgan

Singer/songwriter Cindy Morgan is a two-time Grammy nominee, a thirteen- time Dove winner, and a recipient of the prestigious Songwriter of the Year trophy. In this in-depth interview, she talks about her first novel, The Year of Jubilee, the real-life story behind it, first memory impacts, faith, civil rights, the mother-daughter dynamic, her characters, settings, the “poor mind”, and lots more.

A review of No Angels by Mary Makofske

There is so much more to like here, too many wonderful poems to single out, but I have chosen “Nasreen’s Story” also from Part I to quote in full. It’s a masterful variation on the ghazal, the oldest poetic form still in use. It relies on a repeated word, which gives the form a hypnotic effect. The name imitates the sound of a dying wounded gazelle, and the form has roots in Arabic, Urdu, Hindi, and Hebrew.

A review of Waiting for Jonathan Koshy by Murzban Shroff

Jonathan Koshy is perpetually the outsider in this story of four friends who are awaiting Koshy’s return at the comfortable residence of Bollywood child Anwar Khan, whose home becomes a focal point for the four friends: Prashant, Dhruv, the narrator, and Jonathan. They come together there on the regular, aging disgracefully and gathering to reminisce over drinks and the odd joint, laughing, supporting one another, and allowing their voices to weave in and out like different parts of the same organism as they recall their youth.

A review of Zen and the Art of Astroturf by Bronwyn Anne Rodden

In some of her poems Rodden asks questions that are profound and poignant. These are mainly questions about the absurdity sprouting in our world. I asked the poet if there was a thread in her poetry or a commonality and she answered: “Absurdism is something I think is relevant to people today, where we have been dealing with an international pandemic and environmental catastrophes, and people can relate more to the absurd than at many other times in history.”

A review of Wind—Mountain—Oak: The Poems of Sappho trans. by Dan Beachy Quick

Dan Beachy-Quick translates as if he is beside Sappho on her footpath to something quite never before seen and heard. A grove of oaks shake with mountain winds in the book title fragment from a pastoral world of alliteration, rhythm, and rhyme. Our collective species memory enlivens, quakes to a time when we were one with the natural world, calling out holophrases to goats and dogs, other herders, and goddesses and gods.