Shying’s themes are powerful and topical, exploring violence, drug use and dealing, parenting, ecological destruction, disability, prejudice, and sensual joy. The mix is natural and compelling, working through a distinctive voice intensely, sometimes painfully honest.
Davis expertly controls the narrative threads of their day-to-day reality while explaining what inspires her to write. Further into the book, these intimate details open up into a wider scope of the connection between life and art. She accomplishes this without appropriating the grief of the families with murdered children, instead Nail in the Tree tells how Davis’ life became what it is.
The author of Workstation Blues talks about her new poetry collection, her background, on working cross-genre, on translating, her love of animals and how that impacts on her work, her work-in-progress and more.
Lovers of the fantasy genre will find many of their favourite creatures in this world, each with their own stories and important parts to play in making this an outstanding fantasy adventure. There are nasty little gargoyles, and black fairies with lots of tiny teeth, trolls, elves and pixies.
An Arab-American who feels strongly about the Palestinian homeland, Metres clearly sees the complexities in the region and reflects them so succinctly and comprehensively in his poems and prose sketches, reflecting the good and bad on both sides.
The development of Cassandra Clare’s characters, no matter what series or book is always exquisite. Emma and Julian both have unique qualities and Julian family, the Blackthorns, as a family are always enjoyable to read about and as a whole, the book presents the concept and sense of family fantastically.
The villains in this book are written and developed beautifully, typical of Cassandra’s other books. However, I found the growing characters involved in the Cohort – a party dedicated to the control of Downworlders and Shadowhunters opposed to them, to be a very realistic sense of the ‘bad guy’ with themes of war, propaganda and other political concepts often brought to light in Queen of Air and Darkness.
The author of The Adversary talks about his new book and where the idea came from, his settings, on rewriting, his nameless narrator, on making realistic characters, his influences, and lots more.
Fire Front is critically important reading – not just for the messages it contains, though they are both timeless and relevant to the world we’re living in right now, but also because this is work that is fresh, urgent, astonishing, beautiful, and heart-rendering and have the power that Whittaker talks about in her introduction, to change the shape world for the better.
The action moves at a pulse quickening pace, our hero’s journey peppered with witty asides and lively character driven observations. Frank has a special talent for describing rooms from a connoisseur contractor’s POV. It helps that Lutz did some carpentry in his younger days.