There is a great warmth and sincerity embedded within this memoir, mixed in with gentle humour, discussions of complex research on genetics, birth, death, siblings, parents, family, Greek culture, love. The genesis of the story arises from a secret, one of the biggest secrets a person can have revealed to them, that of their true origins.
Put the idea of reading this book of poetry cover to cover to bed. For the reader to have control over direction but not the journey’s destination makes Lindsey Warren’s inventive debut collection, Unfinished Child, read like real life. But moving through the poems also parallels a “Choose Your Own Adventure” book.
Paromita Sengupta’s “Editorial Notes on the Text” as well as “Bibliography” help us understand the text better and stir our desire to know the life and times of the protagonist, Bany Lall, and like-minded youths thoroughly. It is a must read for every Bengalee, nay Indian, who would love to trace the history of the times, seemingly past and lost in the abyss of time.
Kate’s trajectory is one of discomfort and discovery as she unearths, and then rewrites her history and the history of Salt Pan Creek, facing the wrongs she and her people, including her own parents, have done, and attempting to right them. McFarland does a beautiful job of pulling history, fiction, multiple love stories and trauma together into a coherent narrative that is powerful.
The homely, everyday objects of our lives that we take for granted become iconic signposts, saturated with meaning, as time unspools. “My childhood was a safe, dark pocket. Now, nothing feels like my childhood djd.”
The highly popular and comprehensive Midwest Book Review has been in operation since 1976, and hosts 9 monthly book review magazines such as the Reviewer’s Bookwatch and Internet Bookwatch which are written by volunteer reviewers. Editor-in-Chief, James A. Cox, talks about the site and how it came to be all those years ago and the changes that have taken place, how he keeps up with resources, his connection with libraries and mailing lists, his most popular links, their funding model, and lots more.
This is work that not only provides a different kind of news — engaging with issues like free speech, democracy, aesthetics and ethics – a continual source of interest for Maiden and one she explores with the full weight of her poetic talent, but also allows the reader to see things from a different, and at times, magic realism perspective.
Eilish is wry in the way of the enfant terrible but also scary, a bad seed with a beat box and an hermetical disposition that runs to chaos. At first, I thought she’d sprung fully angst-ed out of the head of some A&R woman. The maturity of her lyrics and the fierce, unwavering satire in her phrasing and in her tunes—all a clever ploy for pop stardom in the vein of a DJ Alanis Morrisette or a more whispery Bjork.
The Weekend is about so many things: preconceptions, societal norms, continuity and difference, about the self and about relationships, but most particularly about friendship and what it means to be both separate individuals in this world throughout life changes, and also the ways in which we are implicitly connected and collective.
Capista is a skilled poet. His verses command the satisfying circularity of those first two poems, the variety of free verse lines, lull of assonance and repetition, questioning of a philosopher’s observations, mesmerizing rhymes occasional or throughout a poem, and pages sprinkled with sonnets and villanelles.