A review of Brain Cuttings by Carl Zimmer

Zimmer conducts us through a world that possesses many of the qualities of fantasy. For example, we keep track of time, more or less through the medium spiny neurons eavesdropping on the cortex. This could easily be the subject of a ballet by Merce Cunningham and John Cage.

A review of The Grand Design by Stephen Hawking & Leonard Mlodinow

If Hawking and Mlodinow are proved to be utterly wrong within the next decade, then I’m sure that, being the consummate scientists that they are, they will thrill to the answer and accede to those that will have used their theories to step up to the next level. In the meantime, I’m all for cracking the champers and toasting the multiverse. There’s so much more to love.

A review of Being Light by Helen Smith

Without a doubt, Smith is a master storyteller. A novel with this jig-saw structure couldn’t possibly work without skill. To make such absurdities as fly-away castles and alien abductions so utterly believable is a testament to Smith’s talent. In less experienced hands this story would have been a farce.

Interview with Mayra Calvani

The author of How To Turn Your Book Club Into a Spectacular Event talks about her latest book, about book clubs and their benefits, about why writing for middle-grade readers is so much fun, her darker talents, and lots more.

Modern Mythologies: Galactic’s Ya-Ka-May

Daily life as a celebration is the atmosphere the musicians wanted to capture; and they have done that in Ya-Ka-May—National Public Radio’s music critic Ken Tucker called Ya-Ka-May an extremely thoughtful party album. It is the spirit of New Orleans, the spirit that keeps its residents joyful despite difficulties, loyal in the face of other options, and full of memory as they walk the streets of faraway towns.

Natural Correspondences in Art: Silver Pony by Cassandra Wilson

Standards challenge the singer to match or surpass those who have come before (and Streisand’s version of “Lover Come Back to Me,” both frantic and erotic, is in my head), but Cassandra Wilson reflects on the lyrics as she sings—registering relish and regret—and improvises a bit of wordless wildness toward the end of “Lover Come to Back to Me,” making it hers.  It is a good beginning for her album Silver Pony, which collects live and studio performances of old and new songs, some of which she has helped to write.