A review of What Came Between by Patrick Cullen

Almost more important than the major transitions in these lives are the impact of day to day living – the dust that fills the pores; the washing of clothing; the purchasing of art. What makes this work distinctive is the intensity of the narrative gaze. We learn about the characters through an almost anthropomorphic rendering of the natural world they observe.

A review of Why She Loves Him by Wendy James

Coupled with our ability to distance ourselves with the hugs that we instinctively give our children when we put down the book after each story — is that awful sense of recognition – the realisation that they aren’t so alien after all. These are grey shades of humanity that aren’t so foreign, though we might like to think so. It’s scary and eye opening. This is a powerful collection of stories, that manages to toe the line between postmodern and classic.

A review of Why She Loves Him by Wendy James

Coupled with our ability to distance ourselves with the hugs that we instinctively give our children when we put down the book after each story — is that awful sense of recognition – the realisation that they aren’t so alien after all. These are grey shades of humanity that aren’t so foreign, though we might like to think so. It’s scary and eye opening. This is a powerful collection of stories, that manages to toe the line between postmodern and classic.

PURE MUSIC (I Want to Talk About You): the work of Christian McBride and Inside Straight (Kind of Brown), the Steve Kuhn Trio (Mostly Coltrane), and Roman Street (Amore)

Gorgeous horn-playing echoes the blues in “Spiritual,” a contemplation of the spirit that does not deny the sensual (however, the tumult near the end could be wailing—the naked complaint, the shameless call for divine help); and Steve Kuhn’s “Trance,” which completes the album, is a quiet piano piece, yet able to evoke dimensions.