A review of phobiaphobia by rob walker

Even in the 24 pages of this chapbook, however, readers will find that walker touches on the full spectrum of human frailty. This is a book that takes us through our many fears, both realistic ones, and those that poke fun at the many strange habits of the modern human. It’s a powerful little collection full of quirky introspection, original and intense imagery, and lots of pithy black humour.

A review of Zuke ‘Em: The Colle-Zukertort Revolutionised

Zuke ‘Em: The Colle-Zukertort Revolutionised is a book with many virtues: it is lucid and rigorous and interactive and authoritative and engaging. Its lucidity is most apparent in the way the author organises his material; most chapters begin with a ‘Familiarization’ section – a gentle introduction to its main themes – after which the teddy bears are taken away and we get down to brass tacks

A review of Fire to Fire by Mark Doty

In their citation for the award, the judges observed that the poems “gently invite us to share their ferocious compassion. With their praise for the world and their fierce accusation, their defiance and applause, they combine grief and glory in a music of crazy excelsis. In this generous retrospective volume a gifted young poet has become a master.”

A review of Magellenica by Justin Lowe

There’s a freshness to this form of novel, and Lowe handles it well, but I still feel like I’ve been left with a snapshot rather than a story. Nevertheless, as a portrait of both a post-WWI veteran, an image of cricket at its most exciting period in Australia, and a portrayal of Sydney in the 20s, this is a lovely, evocative book, full of rich imagery and sensual moments.

A review of Wanting by Richard Flanagan

As with Gould’s Book of Fish, Wanting undermines history, recreating it in a magical realism form that tells a greater truth. Like Adrienne Eberhart’s Jane, Lady Franklin, what drives the story is not what happened but what was felt. Unlike Eberhart’s Lady Franklin, Flanagan’s heroine is as guilty as she is tragic. She destroys what she loves by denying herself.