The Writing In Uncertain Times event at The Wollongong Writers Festival featured an amazing panel of commissioning editor for PRH, Lex Hirst, rapper and poet Omar Musa, author and screenwriter, Amal Awad and debut novelist, Daniel Findlay. The event concluded to this year’s festival and author, reviewer and interviewer Samuel Elliot was there to cover it.
Lives in these stories never turn out as expected, but they do have the accomplish, the finish, of a life that feels real; sometimes to the point of unbearable pain. Whether it be an old friend that the protagonist bumps into that he can’t connect with, or a father whom he wishes not to be similar to in anyway, for his lack of power, these characters resonate with the human flicker of reality; the chaos that lurks behind the ordinary lives of strangers.
Fitzmaurice wrote with the sensibility of a filmmaker. He blends past recollections, present conditions and future possibilities in a moving kaleidoscope of connectivity regarding one’s influences, hopes and realities that seems always to be present instead of distant and reflective.
All poems are reflective of universal human experiences. The poems are short and uncomplicated. Mirsadeghi shares poems on self and eros love, friendship, sadness, longing, pain, heartbreak, and healing. Some of the poems are heart wrenching. I heard a desperate plea for love’s understanding and reciprocity. The reader is invited to share in this heartache and sadness.
Oranmore, also known as Dominick Mereworth, is a poet and playwright. He drops by to talk about his latest book Sparkling Fountain, his inspiration, his writing process, tips for aspiring poets, typical writing day and more.
The author of The Obsidian Gates talks about the latest book in the Heart of Warrior series and how it came to fruition, the biggest surprises in the book, her special research, what keeps her writing, her influences and mentors, her other works, what’s next and lots more.
It’s hard to think of Sakr as an emerging voice – his work seems to have been everywhere over the past few years. The work in These Wild Houses has such a strong sense of assurance. This is an impressive and very moving collection that not only explores the important terrains of both everyday and institutional racism, the migrant experience, identity politics, trauma and grief, but that also presents a deeply personal and moving story that very deliberately draws the reader in and invites collusion and connection.
In the manner of Dorien Grey and his Dick Hardesty series, Aterovis has crafted a group of characters who are very credible. From the imperious homophobic father, the demoralized mother and on to the optimistic girlfriend, as well as each of the other actors in this work; the individuals are not always likeable. They are, however, plausible, well-fleshed and convincing.
Rich and sweeping, Coined words are coins, Everything has a glint to it—even sound is lush—I want to crawl in the poems, A review of them (the poems, the book) could only be a poem itself.
Lynette Washington is s-o-o-o-o-o good at this. She first prepares you with just the necessary brush strokes and then really delivers. All so clever, so unexpected, so unique and the more I read, the more I want. This is addictive reading at its best.