As with all of Maiden’s books, brookings: a noun is powerfully astute and thought-provoking, pulling together disparate ideas, deep emotion, and critical thinking and empathy in places where they’re often not found. Above all though, Maiden is a poet’s poet, with a rich lyrical ear.
Each included author has something important to say and Mendenhall has a talent for finding just the right way to allow the authors to express themselves. Mendenhall has a knack at getting to what is significant, and revealing truths both about the writers and about their books. Nor do the interviews shy away from topical issues or cultural conflicts.
Tim Smith, author of The Other Woman talks about his latest novel, his other work, how he began writing, his biggest challenges, inspirations, advice for other writers, and lots more.
However true to fact and corroborated by photos and drawings, memoir is always subject to recreation, to one-sided perception, rewriting, and recasting. It is always both true and fictive, and like dreams, pieced together from a grab-bag of images and turned into stories that reflect the themes being explored. The Age of Fibs picks up on this uncertainty beautifully and works with it, allowing for openness, complexity, and fragmentation, while still keeping the coherency of the story intact.
Braziel’s lyrical, captivating voice will no doubt only get richer and stronger as she continues to write. Yet, the young voice she has now is so fine, lovely, true, and strong. Readers can only begin to imagine what might come next from this rising star of modern poetry.
So much of what makes the present tense of the novel possible comes down to luck, small acts of kindness, and the often random connections that take place. The book is beautifully written, poetic throughout and very moving. There is a lyrical richness and cadence which creates immediacy.
Come the Tide is a sun-soaked, water-drenched, variegated collection of thirteen short stories that explores the ambiguous psychic implications of the now-you-see-it/now-you-don’t liminal terrain where dry land meets restless water.
Nigel Featherstone is an Australian writer who has been published widely. His works include the story collection Joy (2000), his debut novel Remnants (2005), and The Beach Volcano (2014), which is the third in a series of novellas. He wrote the libretto for The Weight of Light, a contemporary song cycle that had its world premiere in 2018. He has held residencies at Varuna (Blue Mountains), Bundanon (Shoalhaven River), and UNSW Canberra at the Australian Defence Force Academy. In this detailed and wide-ranging interview, Nigel talks about his new book Bodies of Men.
This novel is an enjoyable, feel-good read which is easy to settle into from the very beginning. A strong stand-alone novel which I would highly recommend, particularly to young females aged 13-18. Take Three Girls is written with the perfect expression of teenage girls trying to make it through high school, figure out who they are and what the world has in store for them.
The world created in Hive is one run by, like any dystopian – an undesirable or corrupt government, the judge and her son who know the many secrets and mysteries of the real world which is hidden from the rest of the population. Everyone has a role, ranging from gardeners (which Hayley is a part of), engineers, doctors, kitchners, netters and many more.