In some ways, Do the Wrong Thing is a metafictional novel (memoir? meditation? remembered dream?) par excellence, for it contains deliberate errors, metatextual tags, lists and poems, plus the occasional illustration.
The first third of A Thing of the Moment is by far the most successful part of the novel. Its gradual unfolding of the children’s individual lives is compelling and increasingly disturbing, particularly Isabella’s bizarre and horrifying family. Injustice, unfairness, evil – seen through the eyes of a child, these things have an existential weight and determining force that can distort a life forever.
Throughout the later chapters of Rise, VanZant takes readers on the rollercoaster of her professional career. From the incredible flying head kick finish of Bec Rawlings to her famous defeat at the hands of Michelle Waterson in the main event of UFC on Fox 22, we see her excitement and disappointment at various moments in her career. No matter if she’s sharing the highs or lows, it is impossible to read these reminiscences without rooting for her every inch of the way.
Peter Cochrane is a widely published historian and writer based in Sydney best known for his book Colonial Ambition: Foundations of Australian Democracy, which won the inaugural Prime Minister’s Prize, for Australian History and the Age Book of the Year in 2007. His first venture into fiction was the novella, Governor Bligh and the Short Man. He is a Fellow of the Australian Academy of the Humanities.’ (PRH 2018)
David Blight’s book delivers the new Frederick Douglass standard-bearer for years to come. In our own troubled times the “prophet of freedom” can indeed offer wisdom, but we must be cognizant of the pitfalls of forcing him into modern controversies. We should acknowledge his compelling radicalism without sidestepping his essential complexity.
A Biography of a Chance Miracle is a collection of stories that appear unnoteworthy at first glance, but swell and fill the imagination as one reads them. The final twist is both perfectly surreal and perfectly logical in a book whose hero’s stubborn faith—in herself, if nothing else—is nothing short of magic.
Although Love and Ruin is a first-rate historical novel, it might not have pleased Gellhorn, because, in a way, it reduces her to a footnote in Hemingway’s life. By focusing on 1936-1945, Gellhorn’s “Hemingway” years, McLain makes them seem the major experience of Gellhorn’s life, when in fact they were just a blip on the radar screen of Gellhorn’s eighty-nine year life span. Even so, Love and Ruin is a page-turner, a novel that’s hard to put down.
Some secrets when told are betrayals, or suicides, blood spilled or spells cast, for magic and saints governing and protecting, are also secret languages, the ancient rites of certain religions also called “mysteries.” And, so it is in this well-balanced and short collection, an excursion into mysteries, methods of preserving and enduring.
With its descriptions of a collective madness sparked by mendacity and greed disguised as irresistible ‘progress’, Welcome to Saint Angel has literary antecedents in the cynical realism of Sinclair Lewis and the paranoid desperation of Nathaniel West, plus a liberal dose of Gore Vidal in his Duluth mood.
It is a collection of incredibly intelligent and subtle poetry that never loses focus of its themes. It is a poetry that aches toward redemption even as it is bogged down by histories and impulses that cannot be undone. So between the transcendent and the incarnate there is a wrestling for justice.