Calling all romantic-comedy and tear-jerker lovers! Five Feet Apart is for you! With a very ‘When Harry met Sally’ style romance and filled with beautiful, albeit, sad moments. Five Feet Apart is a gorgeous YA novel, with similar aspects to John Greens’ The Fault in Our Stars.
Beautifully written, these haunting poems pay tribute to brave men who were thrust into the AIDS crisis, and in the midst of fear and death, supported each other in hospitals across America. There are poems about first dates, Valentines, vacations, and break-ups. There is also a lot of humor in this section, through curious and endearing situations that are entertaining to readers of all sexual orientations.
These girls are still alive and living in Boston! Wisel does not make moral judgments. These stories are only meant to the show us lives we often overlook. The writing is vivid: you really do see these characters, and sometimes it’s a very uncomfortable vision.
River Aria is an exquisitely written conclusion to the Rivers trio. Schweighardt creates rich layers of meaning through the three books, across settings that are sometimes sumptuous and sometimes desolate, but always rich in psychology, history, drama, theatre, and a very subtle political thread that hints at the power of compassion.
While Rose’s story grabs reader attention, Hochschild’s book is compelling because he tells a bigger story. He shows us the gap between rich and poor during the Gilded Age and the early 20th century and educates readers in a lucid and accessible sty le about early struggles for a fairer, kinder society.
The author of The Reconception of Marie talks about her new book and why she’s excited about its release, why she chose to write from a young perspective, on reimagining the traditional Bildungsroman, on friendship and interpersonal relationships, Fra Angelico, the book’s relevance to today’s political landscape and lots more.
Eleanor Oliphant is Completely Fine is an incredible novel and my expectations were lived up to, indeed. Although considered an ‘adult’ read the text can be suitable for young adults, dependant on the readers taste and other sensitivities to certain themes. Gail Honeyman creates such marvellous characters who once only a few pages into the book, I felt like I’d known them for years.
All of the pieces are powerful, richly depicted, allowing the reader access to the very core of transition. Kofman has a well-tuned sense of what works together and the pieces flow together perfectly, each essay informing the work that surrounds it, so that the overall book feels interlinked. It makes for engaging reading that is emotionally powerful throughout.
If you’re a Dostoevskian existentialist, an armchair philosopher, or just interested in international indie writing, 125 Rus is for you. Just don’t forget yourself reading it!
From the day of early childhood to the teenage years, Clarke consistently takes moments of her life, interrogates them, and gives them a certain form of literary justice. I wouldn’t say a poetic justice, because Clarke isn’t trying to write poetically. She is giving a record of what it means to be born as a foreigner in your own country, and the existential challenges which come throughout.