If you want to fit in, to know the dos and don’ts, and to understand the cultural oddities, you’ll need a copy of Ian Mortimer’s Time Traveller’s Guide. In it, he paints a living, breathing picture of the sickness and the suffering, the power and the glory that was Elizabethan England, and tells you everything you’ll need to know to survive in their world. When you arrive, you’ll find that your “ancestors are not inferior to [you]; they do not lack sophistication, subtlety, innovation, wit or courage”.
Cameron’s first novel is not your usual mystery/love story. For one thing, her book has seventy-nine mosquitoes (but no sand-flies or ticks) squashed between the pages and they certainly give this story atmosphere. In fact there are experiments with mosquitoes, mosquitoes in jars and cages; yes so many hungry bloodsuckers and all just a figurative screen door away from biting you.
All in all, Nance has done a marvelous job in creating a well-written, suspenseful novel. His language is crisp and fresh, and his world-building is authentic, and his pacing just fast enough to keep readers at the edge of their seat, but slow enough to let them enjoy the ride. He has crafted a compelling, engrossing novel with more than one scene of gritty-realism that will prickle the back of your neck.
In her short story collection, Shelf Life of Happiness, Virginia Pye has a character, Nathan, in the title story, remarking about the “long shadow” that “Papa” casts over “lesser writers.” If Ms. Pye ever felt overshadowed by the great Ernest Hemingway, or compelled to imitate his style, she has overcome it.
There is a solitary quality to Saul’s first person narrative, which isn’t exactly stream of consciousness, though the truncated sentences and visual imagery has a poetic and interior feel. The reader discovers this landscape through Saul’s perceptions and they continually return to the elemental – the earth, the rhythm of time, the ocean.
We may not often be able to control the trajectory of our choices, but we do have the option to recognize them responsibly and honestly. Harél shows us we have an obligation to not glaze over those choices with false distortions that appease our fragile egos and illusions and compromise truth and reality. He examines places where our expectations and confidence become derailed.
Kenneth Salzmann may be a musical guy enthralled with jazz, but in this instance music is really a metaphor for poetry. He is a poet. I’m a fan of poetry like his. It’s as simple as that—and as messy. You see, his poetry really does creep into the bones, the marrow, the blood.
Elaine Neil Orr grew up in Nigeria and returned home on occasion to North Carolina, where she has now lived for quite a while. All her life, she stretched between two worlds, and as she grew, she grappled with expressions of racism here, which did not exist in Nigeria. In her latest novel, Swimming Between Worlds, she writes in part about the experience of negotiating an identity between these two continents, acts of conscience, and history of place. Berkley/Penguin released Swimming Between Worlds in April to excellent reviews. This detailed interview covers all of Orr’s works, not simply this novel but also her first novel and her memoir, and her process in writing each.
Some parts off the story follow history closely. The author, Edward James, knows this period well. HIs descriptions of the boats, their crews, and the historical settings are fascinating. The book also describes the real life and death of Richard Chancellor, a historical figure who stumbled into Ivan the Terrible’s court and became the first English diplomat to Russia. The other character, Arthur, is fictional, but his side of the story gives life to the nomadic tribes, the Sami people, who are too often left out of history but whose lives and customs remain unchanged since the dawn of time, even until today.
Actress Kimmy Robertson had originally intended pursuing a career as a ballerina, before fate intervened in the form of her being headhunted by a talent agent. Launching with several small, but nevertheless memorable roles in films such as The Last American Virgin and Honey, I Shrunk The Kids, Robertson was then called to an audition for the pilot of a new television series, Twin Peaks. Set to tour with several of her Twin Peaks collaborators in the looming Twin Peaks: Conversation With The Stars, Robertson catches up with Samuel Elliott to discuss her storied career.