The poems are dense, lusty in the old sense of the word—in their intentness on the uniqueness of each contemplated experience. McCarthy’s metaphors are fresh and lovely; line-by-line, the writing is often astonishingly beautiful.
All the story titles involve some form of the verb, “to tell”, because the collection as a whole is about the things people tell themselves and others. Some characters tell themselves the truth and live authentically; others do not. In “But I Will Tell You Otherwise,” Janie and Cha Cha defy social mores and pressures and think for themselves.
Tonya “T.I.” Lowe is a native of coastal South Carolina. She attended Coastal Carolina University and the University of Tennessee at Chattanooga, where she majored in Psychology but excelled in Creative Writing. In 2014, Tonya independently published her first novel, Lulu’s Café, which quickly became a bestseller. Now the author of 12 published novels with hundreds of thousands of copies sold, she knows she’s just getting started and has many more stories to tell. She resides near Myrtle Beach with her family and is here to talk about her new book and lots more.
Sarah Kornfeld’s writing is frequently surprising and audacious, with passages of sustained concentration. She is unafraid to report how people feel when they do not know it themselves; occasionally, she hints at a future with which they cannot possibly be acquainted. This is all excellent stuff, unabashed to ‘digress’ or to break rules that are there to be broken.
Eliana Gray’s latest poetry collection, Eager to Break, is assured, quiet, charming, and intense all at the same time. The work engages directly and openly with inherently distressing themes like sexual violence, mental illness, fear, PTSD and its many manifestations and loss, but always, and perhaps uniquely, with a muted joy – as if the opportunity to play with words this way, against such pain, were a gift.
Belief is an elaborate mosaic where the tiles are words; paradoxes, satire and the vernacular adorn the pages of this beautifully crafted book. Belief is divided into seven sections, each section opens a door to two worlds: one the writer’s imagination and psyche and the other opens to the external world.
Svoboda’s characters contend with people who came before them: daughters with fathers, grandchildren with grandfathers, high-schoolers with college drop-outs. There is always someone there to blow the seeds into your face. Someone to obscure the vision. There is always something that manages to be not-there: pollution that is not believed in, menace that can be tied in conversation, meanness in the expectations of filial duty.
The author of Where Dandelions Bloom talks about her new book and its inspiration, her favourite type of character to write, the themes in the book, the value of fiction and storytelling in today’s society and lots more.
In her evocative memoir, not a poster child, Francine Falk-Allen achieves her goal of describing life well-lived while handicapped. In so doing, she fulfills another goal: to honor all handicapped individuals. What results is a remarkable story told in an easily accessible and conversational manner with intelligence, wit, and grace.
There is an exuberance here; a delight in the word, in the construction of the self, the abnegation of the self, and in the sheer pain and joy of living, losing, and loving, that comes through each of the poems.