Edited by Ginny Lowe Connors, this intimate commentary of historical women of common and uncommon nobility by dozens of contemporary, mainly American poets could strike the common fancy of any adult who opens the book. Especially in the political climate too many women face today.
Sam Cooke and Bob Dylan are compared by Hamilton for their musical roots and affiliation with particular communities and subsequent independence and experimentations with genre and form, though Dylan’s work has received much more critical exploration and celebration, suggesting, among other things, a misunderstanding of the choices—aesthetic, intellectual, spiritual, and political—that are made by African-American artists, who want both creativity and commerce, glamour and grit, imagination and intellect, and whose works affirm both style and substance.
Venice is one of the most beautiful cities in the world with architecture, canals, and history that make it a prime setting for a mystery. Two favorite authors, Donna Leon and Martin Cruz Smith, have books set in Venice that take you on two very different journeys to La Serenissima.
The author of Line Study of a Motel Clerk talks about her book, narratives and counter-narratives, the nature of poetry and confrontation, the interaction between language and the person sensing it, the relationship between the living and the dead and a lot more.
Art, in this messy overlayering, produces “some kind of complicated, collective accuracy.” Like the best works, Line Study gives a sense of speaking to the present as if to the future. “Because the ones who wrote today’s edition,” as Davis writes in the titular and final poem, “have already written tomorrow’s.” Should we all be so lucky to actually hear Tiresias speak.
In the opening line, Ireland poses a question about the relationship between the individual, and a theory of everything: “If you consulted your own cipher mind (if what presents as yours could be compressed in such a lazy line), would it encircle this whole ball of string/theory/or only what lies beneath?” In the world of Porch Light, the answer is yes.
The plot moves fast, the narrative driving the reading towards its final unnerving twist. It all happens almost too quickly. James’ writing is so smooth, and the story so powerfully plotted, that its easy to miss how neatly the shifts are between the individual voices, the many delicate links between cause and effect and the parallels between adults and children as we move from one character to another, the way the reader is unwittingly drawn into the toxic culture of privilege that underpins these characters, or how subtle the thematics.
Anderson has created a high interest, action packed, easily read, adventure filled chapter book certain to please middle grade readers. While my career spanning nearly 4 decades was spent in the K 1 arena, Secret of Abbott’s Cave is a book I used during the two years I taught Osage County fourth grade in Osage County. It was a book with good appeal for both girls and boys.
n Dear Committee Members by Julie Schumacher the main character is a person. And since he’s not a real person on earth that we’ll be able to find, he’s living on another earth exactly the same as ours. In fact, you are living on another earth exactly the same as ours. He earns this, as does the writing because it’s him.
Through the dystopia of styrofoam cups, depleted forests, rotting garbage, and an overabundance of aggressive species – colonists or currawongs, there is still laughter, a sense of hope, and a deep, abiding love for the city. In Aiken’s world, the human is absorbed into nature as just another animal, a predator who will one day be supplanted by another species. Though that may not sound like the prettiest of visions, A Vicious Example presents a collection of great beauty, and intense reflection.