Miller, the “writing whisperer” as Jessica Rowe puts it, has created a vital guide to memoir and other forms of creative nonfiction. Though there are many how-to guides on the market, this one is special, both for its depth of wisdom – Miller has over 26 years of experience in teaching others how to write creative nonfiction, as well as her own experience as a nonfiction author/memoirist – and for the simplicity and practicality of its approach.
Most of the writers interviewed came across as incredibly generous, surprisingly humble, and warm and accessible. Wood allowed the writers to approve their interviews before they went to print, and the resulting transcripts are beautifully readable, smooth and lucid, without losing any of the candid nature of the conversations, or the intimacy. I felt, above all, that the information provided in these interviews was a tremendous act of generosity – not just in terms of authors sharing their best tricks, their struggles and their visions, but also because of the way these discussions draw the reader almost directly into the writing process.
Could a full-length novel result from an accumulation of five minute exercises? Maybe an episodic one. Of the seventeen “Student Contributors” whose exercises Abercrombie includes, only two are working on novels; the others are working on memoirs.