Though Reichs’ style of writing is more simplistic than others I’ve read previously, he compensates for this by having a crazy storyline, packed with twists and turns, and changing alliances. In Nemesis, strangers join together in order to survive and friends turn on one another. Betrayal, intrigue and mystery keep the reader turning pages like a maniac.
One of the things that worked really well in Throne of Glass was the change of perspectives of characters. One minute I was reading about Celaena’s perspective of a fight she’s in, and then the next paragraph would swap to Dorian’s view of the fight. This helped the reader engage more deeply with the characters and created a better understanding of the bonds between characters and the way each character is feeling about each other during these moments.
A Biography of a Chance Miracle is a collection of stories that appear unnoteworthy at first glance, but swell and fill the imagination as one reads them. The final twist is both perfectly surreal and perfectly logical in a book whose hero’s stubborn faith—in herself, if nothing else—is nothing short of magic.
Morrigan is an empathetic character with just the right combination of pluck and humility, and her increasing awareness of the importance of friendship, and of her growing sense of self-discovery is a subplot that drives the narrative forward, along with the competition trials and Morrigan’s desperation to find her gift.
Walking Through Walls is just right for around 8-12 year olds (or to read to younger children), providing an engaging, engrossing story with a strong plot, lots of atmosphere, and a positive message that is perfect for young readers, without being preachy. The story is set in the sixteenth century, and is based on an ancient Chinese story “Taoist Master and the Lao Mountain,” also an animated film Lao Mountain Taoist. Cioffi fills the story with details to evoke the setting and timeframe, from the mountains in the distance, lemon lilies, yellow cakes with red berries and tea, and the scents and sounds of rural life.
With these recurring themes and patterns of place, Silver establishes an internal logic to a book that otherwise often appears random and almost too wondrous. But because of her skill with both description and with the larger structure of the work itself, Silver is able to craft a coherent narrative that works both as a fairytale and a question. Little Nothing leaves a reader both entertained and puzzled; like a work of art should,
Obviously Robin Gregory is a well-read writer. Not only does she mimic Homer’s “wine dark sea” with the novel’s opening of “dories…and spider crabs flood[ing] the beach like a ghostly pink tide,” but also refers back to great YA series like A Series of Unfortunate Events through her grim imaginativeness. Gritty magical realism is in vogue, if we account for the non-YA St. Lucy’s Home for Girls Raised By Wolves by Karen Russell and Mr. Fox by Helen Oyeyemi beside which The Improbable Wonders holds its own.
The author of Fourborn Wind and Fire – a new fantasy book series talks about her writing habits, her love for fantasy, ebooks vs print books, traditional vs indie publishing, her ‘real life’ inspirations, her technologies, themes, and lots more.
The Buried Giant is not an easy book. Its simple prose belies the complexity of the narrative, and the multiple layers of meaning as Ishiguro presents us with extremes that are equally unpalatable, and both of which could well be seen as the modern condition. At times, the fog is enough to engulf the reader, and the work seems to be as obscure in its meaning as the location of Beatrice and Axl’s son’s village.
Despite all that, the author makes the story come together and the book is a light fun summer read, especially for those who like dabbling in reincarnation stories. Being a historical fantasy with a spiritual sub-plot the story also brings past social mores, politics, and people from far-flung places to life, as the reader and protagonists rush about from ancient Egypt, through Russia, to other parts unknown.