The streets of Melbourne are vividly alive in this work, and nowhere more so than in its description of the natural world around the city, from Royal Park where Trevor walks Gordon to the steel carriages tram, the graffitied buildings or the flora and fauna that is everywhere in flashes of beauty.
While the plot and the characters are engaging and profoundly well done, the writing itself is a star attraction in Stars of Alabama. Sean Dietrich can turn a phrase like nobody’s business, and his words sing with sharp images and telling details.
The heartwarming story of the three women friends is a unifying thread in the novel. They met as children living on Livonia Avenue in Brooklyn, and became inseparable. Kitty, “the brave one”, introduced the other two to Chinese food, and pursued her love of dance into a career at Radio City Music Hall.
Finding Dorothy is a hymn of praise to creativity: the ability to blend inspiration, experience, knowledge and skill to produce something magical. “Magic,” Maud tells Judy, “is when we … all escape ourselves a little bit and we meet up somewhere and…taste the sublime.”
To say that the book is engaging is a gross understatement. The Accusation is the kind of story that you miss meals to finish, sneak read, and stay up late to keep going. It’s ultra-fast paced, and the speed of the plot belies just how good James’ writing is. James is a master of suspense, providing all sorts of subtle hints and details with legalistic precision.
I enjoyed this book and would highly recommend it for muggles aged eleven and up. This is the first in the seven book Harry Potter series. I think readers must read Harry Potter and the Philosopher’s Stone before reading the other books in the series, as this book sets the scene for the Harry Potter world.
Sarah Kornfeld’s writing is frequently surprising and audacious, with passages of sustained concentration. She is unafraid to report how people feel when they do not know it themselves; occasionally, she hints at a future with which they cannot possibly be acquainted. This is all excellent stuff, unabashed to ‘digress’ or to break rules that are there to be broken.
The world created in Hive is one run by, like any dystopian – an undesirable or corrupt government, the judge and her son who know the many secrets and mysteries of the real world which is hidden from the rest of the population. Everyone has a role, ranging from gardeners (which Hayley is a part of), engineers, doctors, kitchners, netters and many more.
Brandi’s prose is consistently beautiful, and the story itself remains compelling and fast paced. The rip metaphor is repeated like a refrain throughout the book, and creates a strong connection between the reader and the protagonist. The Rip is an intense, important read, shining a light on an area that has not been the subject of much art, and encouraging deep empathy, understanding and engagement.
There is also an inherent indeterminacy or multiplicity in the way the story unfolds, so that it is both a domestic story, with sumptuously described meals, personal care/tenderness, tea taking, and small acts of kindness that include buying teddies and dolls and supportive talk between friends, as well as being a story of international espionage involving great acts of big evil: arms dealing, drug dealing, government complicity, murder, and looming war.