The release of Daniel Findlay’s debut novel, Year Of The Orphan, suggests that we may now be on the cusp of a new era, one in which epic titles of this ilk receive the proper attention and accolades that they so richly deserve.
The author of Because of You talks about the origins of her latest young adult novel, the key themes she explored in the book, on the importance of diversity and inclusivity, her characters, and lots more.
The author of That Stubborn Seed of Hope talks about writing and how it came to be his calling, the draw of short stories, on fear and hope, belonging and inclusion, and lots more.
Some questions remain. How will different perspectives be reconciled? How will a nation’s citizens conserve what is good, while achieving progress beyond what is bad? How will people get what they need from the earth, while still protecting the land—and respecting all its people? True prophecy is rare—and arrogance can lead to destruction.
Wimmera is a patently Australian tour de force, following two inseparable youths, Ben and Fab and the hardships their mateship endures slipping from childhood into adulthood in the titular country town, a familiar coming-of-age story that takes a sudden, tragic turn, forever altering both their lives and their attachment to one another.
The founder and Editor-in-Chief of PoetryMagazine.com talks about the magazine and her role as editor, her career and many accomplishments, her influences, on the value of the internet, advice, and lots more.
The author of All the Beautiful People We Once knew talks about his new novel, about his inspiration for fictionalising his experiences as a lawyer in a NYC law firm defending big insurance companies being sued by soldiers returning from contracting jobs in Iraq and Afghanistan, his characters, some of the insights about US politics and its dysfunction that underpinned his novel, the intersection of mental illness, war, and profit, and much more.
Safran first addresses why he chose to write his new book, instead of opting for the more traditional (and seemingly easier) medium of filmed documentary making. ‘All sorts of reasons,’ he says. ‘One is that I really like that, how with a book, I can come and go as I want on my own and just kind of needle my way into places. Like rocking up at the front door of some dude whose is part of the United Patriots Front. It’s a lot easier to sell that just with a Dictaphone, than a full camera-crew already recording.’
The author of Molly Fish talks about his new book, his inspiration, his research, his rally through Southern India and other things about his setting, where he writes, his planning process, his best tips for aspiring authors, and lots more.
Keneally is a veritable storyteller and one that remains his earnest, candid self throughout our exchange. Perhaps his shirt-of-the-back affability could be traced back to his modest beginnings in working-class Kempsey, on the state’s mid-north coast. The author is still very proud of the place he grew up in, confiding, ‘I came from a working class family and came from terrific and noble people, nobler than those that sniff at the working class now.’