A Biography of a Chance Miracle is a collection of stories that appear unnoteworthy at first glance, but swell and fill the imagination as one reads them. The final twist is both perfectly surreal and perfectly logical in a book whose hero’s stubborn faith—in herself, if nothing else—is nothing short of magic.
Though Before We Died is a fictional story, full of intrigue, mystery, and a driving plot that makes it very readable, it is also built around real events as described in the prologue, particularly the catastrophic impact of the rubber boom on some areas of the Amazon, ecologically and in terms of the impacts on the native tribes. The book also confronts issues like racism, exploitation, slavery, and rampant colonialisation, seamlessly integrating the universal into this particular story in a way that feels natural
In clear, often compelling prose, Stephanie Laterza’s debut novel, The Boulevard Trial, offers us a contemporary story of moral dilemmas, confused intentions and missed connections that frequently result in disappointing resolutions and, at times, even tragic consequences. The traumas of the novel’s characters bleed into their ongoing personal experiences like an unchecked, gaping wound.
The facts are engaging enough as a history, but Alizadeh’s portrait of a young women in love, coupled with his exploration of the patriarchal, uncertain nature of both historical account and memory (“Or does she?”) takes this story to a new level. Alizadeh’s Jeanne allows for the contradictions in the varied voices that are both inside and outside of his subject and also calls attention to the fact that narrative is something that is constructed rather than something inherent.
Maryanne’s own sense of self in relation to her overbearing mother and Freya’s sense of self in relation to Maryanne are handled with such richness that they give the story a great deal of depth, even as it pushes towards its inevitable outcome. The Restorer is a beautifully written and very powerful fiction that not only shines a light on the deep roots of domestic violence but also plays with the line of what remains in the face of such destruction. Sala’s story that will stay with the reader long after the book is finished.
For the cast of characters the present has no meaning. They are suspended between the places they have left and a fantasy of a future home. These are the superimpositions of images that color their thoughts, their dreams, and their narratives – the binaries of home and abroad, the past and the future, the real and fantasy.
Dennis Must’s Going Dark is a succession of 17 short stories. Must’s writing is expressive, as he approaches the numerous stages of life we all share in the transition from youth to maturity to the inevitable death that awaits us all. The lives in these stories are unrelated, and yet very much the same. The work is at once a multilayered thought provoking psychological frolic in addition to being a deeply seated thoughtful work. Whatever the overview or leitmotif, each portrayal in this work ultimately goes dark as Must probes deep within the core of his intricate, complex characters.
The author’s descriptive passages of Paris are so powerful and illuminating that as Felix wanders through the City of Light it feels like we are right there beside him and when he stumbles his way into a romantic interlude with the beautiful waitress Senna, we can be thankful that the author allows us to turn away at the right moments. As his fumbling turns to manliness Felix begins to understand something about love and relationships and his attitude towards his father alters.
The Natural Way of Things is an easy book to read but a hard one to digest. It holds up a mirror that shows an ugly reflection of the relationship between capitalism and misogyny that once glimpsed cannot be unseen. Though it’s disturbing, The Natural Way of Things is also powerful, beautiful, and utterly important.
The Last Wife of Atilla the Hun manages the perfect balance between the epic setting from which it takes its cue, and the intimate and domestic world that Gudrun finds herself in. Gudrun is cut off from the battlefield from which she only hears news, and unlike Sigrid, doesn’t go on a quest for dragon’s gold.