Dubai Nights is an engaging story that begins with the personal experiences of a young academic abroad, and moves well beyond that to explore some very deep notions of what it means to be a modern woman in a multi-cultural, rapidly changing world.
As with the work that Wertheim has done through her Institute for Figuring, Physics on the Fringe affirms that there is room in this world for knowledge seekers of all kinds, along the broadest of spectrums. Wisdom can evolve and present itself in many ways – through empirical, mathematically sound, proven processes, and through hands-on aesthetically rich intuitive processes.
Overall, Engagement From Scratch is a powerful, thought-provoking book, easy to read and full of powerful and immediately applicable information. It’s relevant to anyone who wants to use the Internet to market their work. Though the book isn’t specifically geared to writers, all bloggers are writers of one sort or another and most of the contributors have written books, so the ideas are very relevant to authors of any genre.
The book is enjoyable to read, humorous, and informative, and contains a great deal of black and white images that comprise virtually a walking tour of theatres in NY and Brooklyn.
What’s so endearing about Falling For Me is that David does not try to portray herself as perfect. She’s just like any other single woman out there, putting her best foot forward trying to fall in love—the only difference is, she’s working on falling in love with herself first.
While I didn’t find myself showering with my copy of Ready Player One, I did find it an enjoyable read. However, I feel that fans of virtual gaming will get far more from this story than I did. Young adult males, in particular, will eat this up. Ready Player One is Willy Wonka with balls; it’s Total Recall meets The Matrix meets the Mario Brothers. It’s scarily familiar and horribly possible.
Most essays take a vivid and telling image as their point of departure, but then range more widely. On the whole, the essays are provocative and richly suggestive, rather than exhaustive; and it is unlikely anyway, to my way of understanding, that the meanings and resonances inherent in a symbol can ever be fully enumerated. That is why they remain vital as symbols, able to intrigue, fascinate and transport.
The book is an encouragement to risk, go deep, and try new ideas. Practising what she preaches, White opens up about her own struggles with depression, divorce, and health problems. Despite the honesty that underlies the book, White is never dour, using herself as an example, and asserting the unique voice that every person has.
In England, writer Zadie Smith and actor Chiwetel Ejiofor and rock singer Kele of Bloc Party have made their own giant splashes, as had the androgynous singer Ephraim Lewis, before he died; and Ejiofor played a cross-dressing designer in Kinky Boots, and Kele is gay and alludes to that experience in his songs.
Liza Bakewell is a linguistic anthropologist but Madre is not an academic tome; more like a dance through the linguistic history and difficulties of a word in the Spanish language that does not just mean ‘mother’. Madre, it becomes clear, can take on all sorts of meanings depending on the context of its use.