Tag: nonfiction

A review of Shakespeare the Thinker by A.D. Nuttall

Nuttall uses wit and personal recollections to illuminate his text. The result is lively and relaxed although he makes no concessions to difficulties. His explanations are cogent and full. As a book by a writer worth reading for his own sake and as one of the dozen books that any reader of Shakespeare should have, this is not only an essential book, it is a delight.

A review of Virginia Woolf by Julia Briggs

This book dwells necessarily on the Bloomsbury group, a subject of so many books that saturation impairs the urgency of its interest, but she surmounts this as much as possible by an emphasis on Woolf. She has written a model of what good literary criticism should be. This is an excellent book to add to the collection of any reader who requires a useful and intriguing book on a fascinating but often elusive writer.

A review of The Paris Review Interviews, volume 1

Overall, Gourevitch’s hope that these interviews will stand “if not as definitive portraits of each artist, then as a significant contribution to such an ultimate portrait, with the added fascination that they are in large measure self-portraits” has been, on my reading, largely fulfilled.

A review of On Opera by Bernard Williams

This book will contribute something to your knowledge of opera but it will not be easy to read. The awkwardness of Williams’s English makes the book unpleasant. It baffles me that a man who obviously had such a love for music could have written so unmusically.

A review of The Early Works of Dr. Seuss Volume 1

At £14.99, this book is cheap at the price, and an excellent introduction to Geisel’s work. It is a commendable mix of the silly, the sinister and the political, drawn from a wide variety of sources across advertising, newspapers and magazines. The relatively low production values, however, will mean that it will have limited appeal to the very people most likely to buy it or be given it: comic collectors.

New Stereotypes: Carroll & Graf’s Freedom in this Village

The book assumes that race and homosexuality (blackness and gayness) are real categories, and draws part of its authority from the social and historical importance these subjects have been given by many people through the years, but the idea of race is as suspect as the idea of strict sexual orientations. Skin is not a significant emblem of existential being (despite hundreds of years of western racialism, and the 1930s Negritude movement in Africa, France, Haiti, and Martinique, and the 1960s/70s black arts movement in the United States).