Tag: short stories

A review of The Albatross Around the Neck of Albert Ross by Geoffrey Gatza

Gatza’s collection of short stories highlight important ideas such as connecting with family members, living the fullest life, challenging how to think beyond the obvious, and learning how to handle grief. Each of these lessons are truly important for both children and adults alike. What connects each of these stories, however, is the ability to experience each day with someone that readers care about whether that be a family member, a parent, a friend, or a sibling.

A review of Two Californias by Robert Glick

In the midst of narratives preoccupied with decay and disease, Glick’s language is vibrant, even magical, and often humorous in its treatment of youthful yearning and cynicism. The author flexes a talent for poetic prose especially in “Mermaid Anatomy,” which is narrated by a young man on vacation from Holland who plays hide-and-seek with a girl he meets at his hostel.

A review of All the Lives We’ve Lived by Roslyn McFarland

Kate’s trajectory is one of discomfort and discovery as she unearths, and then rewrites her history and the history of Salt Pan Creek, facing the wrongs she and her people, including her own parents, have done, and attempting to right them. McFarland does a beautiful job of pulling history, fiction, multiple love stories and trauma together into a coherent narrative that is powerful.

A review of Everything Inside by Edwidge Danticat

Loss and grief are rooted in a large part of the Haitian diaspora identity and manifests both overtly and covertly throughout these stories. Danticat is meticulous in her writing about Haiti and its people’s complex relationship with the U.S. In each character’s search for a better life, she magnifies the usually unexplored grief that comes with years of generational trauma and migration.

A review of We Will Tell You Otherwise by Beth Mayer

All the story titles involve some form of the verb, “to tell”, because the collection as a whole is about the things people tell themselves and others. Some characters tell themselves the truth and live authentically; others do not. In “But I Will Tell You Otherwise,” Janie and Cha Cha defy social mores and pressures and think for themselves.

A review of The Age of Fibs by Beth Spencer

However true to fact and corroborated by photos and drawings, memoir is always subject to recreation, to one-sided perception, rewriting, and recasting. It is always both true and fictive, and like dreams, pieced together from a grab-bag of images and turned into stories that reflect the themes being explored.  The Age of Fibs picks up on this uncertainty beautifully and works with it, allowing for openness, complexity, and fragmentation, while still keeping the coherency of the story intact.

A review of Come the Tide by Sam Reese

Come the Tide is a sun-soaked, water-drenched, variegated collection of thirteen short stories that explores the ambiguous psychic implications of the now-you-see-it/now-you-don’t liminal terrain where dry land meets restless water.

A review of Dead Aquarium by Caleb Michael Sarvis

Unlike the fetid and static water evoked by its title, the writing in Dead Aquarium is amazingly fluid and lucid; and it flows, flows easily and effortlessly, so that there is not a single obstruction or blockage, not one awkward, clumsy boulder of a sentence to interrupt the easy procession of prose.

A review of I Truly Lament: Working Through the Holocaust by Mathias B. Freese

I realize this book is a work of fiction, but it cuts deeply, and leaves the reader contemplating some of the horror that people suffered during Hitler’s reign. Though not the easiest book to read, I Truly Lament is compelling, and very well written. The book was one of three finalists chosen in the 2012 Leapfrog Press Fiction Contest out of 424 submissions, and it’s easy to see why. 

A review of New Micro: Exceptionally Short Fiction edited by James Thomas and Robert Scotellaro

All of the micros in this collection could be described as “on the verge of vanishing.” But thinking about this specific set of stories related to disappearing, especially Cooper’s, leads me to wonder why we’re drawn to this particular form, especially now. Forget the Internet and the short-attention span argument for a moment. What if the desire for the micro and flash fiction is born of a last-ditch effort to get in and get out, while we can?