With great writing skill Brian Falkner uses simple but effective language to continue the exploration of human emotions throughout the book. Some of his stories are sad, some quite dark and one or two almost funny but at the turn of each page the reader feels a tugging of the heartstrings, or worse, something delving into the mind stirring up those repressed feelings that nobody wants to talk about.
Trains and boats and planes – modes of transport abound in Barry Stewart Hunter’s interestingly varied collection of short stories, although the people they convey are seldom up to speed with their own lives. Persons in transit and the mental dislocations they experience are a recurring motif; thematically, however, there is a great deal more going on, much of which is intriguingly elusive.
The language is silky and seductive and as a reader I was drawn in, drifting about like a leaf in a stream taking in sights, sounds and feelings. Lucy Durneen leaves the door open to her mind and as the pages pass I’m looking out of her eyes focusing and feeling the world as she describes and experiences it.
At a deeper level, there are questions raised about the nature of reality that are chillingly relevant considering the fact that last year Elon Musk stated publically that there is a billion to one chance that we’re living in “base reality” (that is, a non-virtual world), and even Neil deGrasse Tyson has argued that there is a high probability that we’re living a computer simulation.
Always there’s a sense that the world is not quite fixed and that what we’re experiencing is illusory (so much smoke), and charged by scars, memories, hunger, and all that we’ve lost. The stories that make up So Much Smoke are powerful, not so much because of what happens, but because of the way they hint at how much lurks below the surface
On reading these stories, one is reminded of the paintings of Marc Chagall: a hermetic world of imagery, difficult to interpret, informed by rich folk traditions and personal experience. In Gnarled Bones, women are the principal (but by no means sole) targets of the past’s slings and arrows. In this regard, the opening story, ‘Mother of Mischief’, is the most interesting in the collection, casting retrospective light on its own ambiguous title and showing us how we can, after all, be the authors of our own entrapment.
Dennis Must’s Going Dark is a succession of 17 short stories. Must’s writing is expressive, as he approaches the numerous stages of life we all share in the transition from youth to maturity to the inevitable death that awaits us all. The lives in these stories are unrelated, and yet very much the same. The work is at once a multilayered thought provoking psychological frolic in addition to being a deeply seated thoughtful work. Whatever the overview or leitmotif, each portrayal in this work ultimately goes dark as Must probes deep within the core of his intricate, complex characters.
These classic stories have been cast in wonderfully fresh translations by Hugh Aplin. To start with, let me say that it is an attractive package overall: seven stories, an account of Chekhov’s life and his works (the plays as well as the books), a fair few photographs of Chekhov and family, and a select secondary bibliography (to which should be added Rosamund Bartlett’s outstanding biographical work Chekhov: Scenes from a Life).
An outstanding collection of short stories makes up this book of the Margaret River Short Story Competition for 2016. It is sponsored by Margaret River Press, who believe the ‘short story genre is greatly undervalued’, according to their website. The competition has been run since 2011, producing five published collections so far, with the 2017 competition having just recently closed for submissions.
Though each of the pieces works well individually, taken collectively, Letter to Pessoa presents a multifaceted world that builds new linguistic spaces through correspondence and conjunction. By blurring the distinctions between author and narrator/narration, reader/writer/voyeur, past/present, and even life/death, Cahill has created an exciting and powerful collection that continues to shift, change and reveal new insight with each re-reading.